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	<title>Kyoko Takemura</title>
	<link>https://kyokotakemura.net</link>
	<description>Kyoko Takemura</description>
	<pubDate>Mon, 10 Aug 2026 08:04:28 +0000</pubDate>
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		<title>About (EN)</title>
				
		<link>https://kyokotakemura.net/About-EN</link>

		<pubDate>Thu, 27 Oct 2022 18:50:51 +0000</pubDate>

		<dc:creator>Kyoko Takemura</dc:creator>

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	&#60;img width="1080" height="1080" width_o="1080" height_o="1080" data-src="https://freight.cargo.site/t/original/i/b1720c3fd544ac204194f1855d46f6eb154db82bc6a70779d16ea3dec98b10a0/profile_2026_bw.jpg" data-mid="243367170" border="0"  src="https://freight.cargo.site/w/1000/i/b1720c3fd544ac204194f1855d46f6eb154db82bc6a70779d16ea3dec98b10a0/profile_2026_bw.jpg" /&#62;
	


	

	
Kyoko Takemura is a Berlin and Tokyo based conceptual artist working with photography, video and found objects to explore how belief systems, values and social conditions are materialised and circulated through consumer objects, from food to religious commodities. 
Her projects how the invisible takes form in everyday objects, reflecting the circumstances and human activities of consumer society.&#38;nbsp;
Her work has been exhibited internationally at Somerset House (UK), Museum Brot und Kunst (Germany), MMoP Miyota Museum of Photography and Asama International Photo Festival (Japan), Gallery DE BOUWPUT (Netherlands), and Whitespace Gallery (Singapore). Takemura is the winner of the Japan Photo Award 2018,  a recipient of  the Sony World Photography Awards 2018, and was shortlisted for the Kassel Dummy Award 2020.Her projects have been featured in publications including Libération, Die Tageszeitung, IMA Magazine, VICE and i-D. She received her BA with honours from Central Saint Martins College of Art and Design in 2016.

  For prints or inquiries: ︎ 












On Luxury beyond Death seriesTakemura gives us a simple yet insightful look into a prominent ritual surrounding death in Vietnam. A compelling reflection upon modern day consumerism, Luxury Beyond Death highlights how relatives burn paper offerings at the graves of the deceased with the belief that they will need the same luxury items that they had when they were still living. The project highlights our obsession with consumerism whilst simultaneously raising questions about what awaits us in the afterlife.



Emilia van Lynden (Unseen Artistic Director) 





Selected Exhibition2026 &#38;nbsp; "Season 1 Resident Artist Exhibition”, Treasure Hill Artist Village, Taipei, Taiwan
2025 &#38;nbsp; "Verrückt nach Fleisch", Museum Brot und Kunst, Ulm, Germany
2025 &#38;nbsp; "Belief It Or Not", Whitespace Gallery, Singapore
2025 &#38;nbsp; "Zero 2.0 -Between realms", Gallery DE BOUWPUT, Amsterdam2024 &#38;nbsp; "RELEASE", Studios ID, Berlin, Germany
2024 &#38;nbsp; "PHOTO MIYOTA Asama International Photo Festival", MMoP Miyota Museum of Photography. Miyota, Japan

2022 &#38;nbsp;&#38;nbsp; “60 x 60 – Food = Politics + Pleasure”, Museum Brot und Kunst, Ulm, Germany2022 &#38;nbsp;&#38;nbsp; “Asama International Photo Festival 2022 PHOTO ALT”, Miyota, JP2021 &#38;nbsp;&#38;nbsp; “Honey Rules the World”, Gallery Cube +, Kiel, Germany2019 &#38;nbsp;&#38;nbsp; “STYLED IN PHOTOGRAPHY”, IMA Gallery, Tokyo, JP2019 &#38;nbsp;&#38;nbsp; “JAPAN PHOTO AWARD EXHIBITION”, KG+ Kyotography, JP2019 &#38;nbsp;&#38;nbsp; “New Japan Photo 7”, CHI-KA, Dubai, UAE2018 &#38;nbsp;&#38;nbsp; “Sony World Photography Awards Exhibition”, Somerset House, London, UK2018 &#38;nbsp;&#38;nbsp; “LUXUS PhilosophyUnbound Berlin”, Berliner Ringtheater, Berlin, Germany2016 &#38;nbsp; “GCD Show”, Hoxton Gallery, London, UKAward &#38;amp; Residency2026&#38;nbsp; &#38;nbsp; Artist-in-Residence Program, the Treasure Hill Artist Village, Taipei, Taiwan
2020&#38;nbsp; &#38;nbsp; Kassel Dummy Award, Odd Recipes Shortlist, Germany2019&#38;nbsp; &#38;nbsp; Artist in Residence Program, The Swatch Art Peace Hotel, China2018&#38;nbsp; &#38;nbsp; JAPAN PHOTO AWARD, Winner, Japan &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp; 
(Selecting judge: Emilia Van Lynden)
2018&#38;nbsp; &#38;nbsp; Sony World Photography Awards, Commended, UK2018&#38;nbsp; &#38;nbsp; FAPA Fine Art Photography Awards, Nominee


Education2016&#38;nbsp; &#38;nbsp; BA Hons Graphic Design&#38;amp;Communication, Central Saint Martins College of Art and Design2012&#38;nbsp; &#38;nbsp; French Literature in Faculty of Letters, Keio University, Japan

Books
PHOTOPAPER vol.68 - featuring Odd Recipes
Canned, self-published&#38;nbsp;Odd Recipes, self-published 




Selected Press2025
美術手帖, Exhibition report
2024
 Society Magazine, Interview

2023
WePresent, Feature &#38;amp; Interview
IMA online,&#38;nbsp;Feature

2022&#38;nbsp;
LibérationDie Tageszeitung
GINZA
2016-2021
Libération France online

The Red Book by Universal Music Germany
i-D Magazine, InterviewVICE, Interview
IMA Magazine vol.35iGNANTFood&#38;amp; Magazine
foam Design Magazine
1 Granary, Interview
FUET Magazine, Interview
L’Œil de la PhotographiePERDIZ Magazine, InterviewKALTBLUT MagazinePlain MagazineI/O GazetteFood To Meet YouMusée MagazineKONBINI UK Good2bClub Sandwich


︎ You can buy my books here



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	<item>
		<title>About (JP)</title>
				
		<link>https://kyokotakemura.net/About-JP</link>

		<pubDate>Mon, 06 Feb 2023 10:46:40 +0000</pubDate>

		<dc:creator>Kyoko Takemura</dc:creator>

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		<description>

	
	&#60;img width="1080" height="1080" width_o="1080" height_o="1080" data-src="https://freight.cargo.site/t/original/i/b1720c3fd544ac204194f1855d46f6eb154db82bc6a70779d16ea3dec98b10a0/profile_2026_bw.jpg" data-mid="243367609" border="0"  src="https://freight.cargo.site/w/1000/i/b1720c3fd544ac204194f1855d46f6eb154db82bc6a70779d16ea3dec98b10a0/profile_2026_bw.jpg" /&#62;
	


	
	
神奈川県生まれ、ベルリン在住。写真、ビデオ、ファウンドオブジェクトを用い、食品を含む日常消費財を観察することで　信念や価値観が資本主義社会においてどのように物質化・流通するかを考察する。Somerset House（イギリス）、Museum Brot und Kunst（ドイツ）、MMoP 御代田写真美術館、浅間国際フォトフェスティバル（日本）、Gallery DE BOUWPUT（オランダ）、Whitespace Gallery（シンガポール） などヨーロッパを中心に国内外の展覧会に参加。主な賞歴にJapan Photo Award、Sony World Photography Awards 2018などがある。主な作品・インタビュー掲載誌に、Libération、Die Tageszeitung、VICE、IMA Magazine、i-Dなど。Central Saint Martins College of Art and Design 卒業。


News / Contact : ︎












Luxury beyond Death シリーズについて武村は「死」を取り巻くベトナムの特殊な風習について、シンプルかつ洞察力のある考察を提示した。故人が生前に使っていた贅沢品を死後も必要とするという信仰に基づき親族によって燃やされる紙製の供え物を捉えた『Luxury beyond Death』シリーズは、現代消費主義社会を鋭い視点から捉えている。作品は私たちの消費への執着を浮き彫りにすると同時に、死後の世界で何が待っているのかという問いを私たちに投げかける。


エミリア・ヴァン・リンデン&#38;nbsp;(Unseen アーティスティックディレクター)&#38;nbsp;




						

主な展示2026 &#38;nbsp; 「Season 1 Resident Artist Exhibition」(Treasure Hill Artist Village /台北)2025 &#38;nbsp; 「Verrückt nach Fleisch」 (Museum Brot und Kunst /ドイツ)
2025 &#38;nbsp; 「Belief It or Not」(Whitespace Gallery / シンガポール）
2025 &#38;nbsp; 「Zero 2.0 -Between realms」(Gallery DE BOUWPUT/ オランダ)

2025 &#38;nbsp; 「RELEASE」 (Studios ID / ベルリン）2024 &#38;nbsp; 「浅間国際フォトフェスティバル2024 PHOTO MIYOTA」（MMoP 御代田写真美術館 / 長野）2022 「60 x 60 - Food = Politics + Pleasure」 ( Museum Brot und Kunst / ウルム、ドイツ)

2022 「浅間国際フォトフェスティバル 2022 PHOTO ALT 」 ( amana Virtual Museum )2021 「Honey Rules the World」 ( Gallery Cube+ / キール、ドイツ)2019 「IMA×Edition Styled In Photography」( IMA Gallery / 東京)2019 「New Japan Photo 7」( CHI-KA / ドバイ)2019 「ジャパンフォトアワード エキシビション」(KYOTOGRAPHIE KG+ / 京都)2018 「Sony World Photography Awards Exhibition」( Somerset House / ロンドン)

2018 「PhilosophyUnbound」( Berliner Ringtheater / ベルリン)2016 「GCD Show」 ( Hoxton Gallery / ロンドン)

						
賞歴・レジデンス2026 &#38;nbsp; &#38;nbsp;アーティストインレジデンス、Treasure Hill Artist Village （台北）
2020&#38;nbsp; &#38;nbsp; Kassel Dummy Award 2020&#38;nbsp;2019&#38;nbsp; &#38;nbsp; アーティストインレジデンス、The Swatch Art Peace Hotel (上海)
2018&#38;nbsp; &#38;nbsp; ジャパンフォトアワード（グランプリ / エミリア・ヴァン・リンデン賞）
2018&#38;nbsp; &#38;nbsp; Sony World Photography Award（Commended）2017&#38;nbsp; &#38;nbsp; FAPA Fine Art Photography Award （ノミネート）

						



学歴

	
		
		
	
	
		
			
				
					
						2016 ロンドン芸術大学セントラルセントマーチンズ校卒業
2012 慶応義塾大学文学部仏文科中退
書籍
PHOTOPAPER vol.68 - featuring Odd Recipes
Canned, self-published&#38;nbsp;Odd Recipes, self-published 

掲載メディア
2024&#38;nbsp;

Society Magazine, インタビュー
美術手帖, 「浅間国際フォトフェスティバル」開幕レポート

2023
WePresent, 特集・インタビュー
IMA online STEP OUT! 特集（テキスト＝若山満大氏）
2022
仏日刊紙&#38;nbsp;Libérationドイツ日刊紙&#38;nbsp; Die Tageszeitung
GINZA
2016-2021Libération onlineThe Red Book, published by Universal Music Germany
IMA Magazine vol.35
i-D Magazine インタビューVICE インタビュー
IMAiGNANTfoam Design Magazine

Food&#38;amp; MagazineFUET Magazine インタビュー
L’Œil de la PhotographieKALTBLUT MagazinePlain MagazineI/O GazetteFood To Meet YouMusée MagazineKONBINI UK Good2bClub Sandwich1 Granary インタビュー



	
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		<title>News</title>
				
		<link>https://kyokotakemura.net/News-1</link>

		<pubDate>Wed, 07 Aug 2024 02:31:59 +0000</pubDate>

		<dc:creator>Kyoko Takemura</dc:creator>

		<guid isPermaLink="true">https://kyokotakemura.net/News-1</guid>

		<description>News

&#60;img width="5924" height="3949" width_o="5924" height_o="3949" data-src="https://freight.cargo.site/t/original/i/c7c8d25fad46f18399ec3b959cb7d801e70279b32108cf4e28e0de41ce225a23/THRA0024.jpg" data-mid="251301247" border="0"  src="https://freight.cargo.site/w/1000/i/c7c8d25fad46f18399ec3b959cb7d801e70279b32108cf4e28e0de41ce225a23/THRA0024.jpg" /&#62;


	&#60;img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/8691550e9d71cef432eb26a8f8c7cb4eea6c8fa7fdc5f37cbbbcf2c4452bf5c8/THRA0106-1.jpg" data-mid="251301249" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/8691550e9d71cef432eb26a8f8c7cb4eea6c8fa7fdc5f37cbbbcf2c4452bf5c8/THRA0106-1.jpg" /&#62;
	&#60;img width="1199" height="799" width_o="1199" height_o="799" data-src="https://freight.cargo.site/t/original/i/633c4f44971a6424434b93906fd358734d346332ed806f770cc3987463e8de8f/artist-tour.jpg" data-mid="251300671" border="0"  src="https://freight.cargo.site/w/1000/i/633c4f44971a6424434b93906fd358734d346332ed806f770cc3987463e8de8f/artist-tour.jpg" /&#62;



	
	



Artist in Residence program at Treasure Hill Artist Village, Taipei (2026.3.18 - 2026.05.25)

I completed a two month residency where I developed a new research project and 
presented an artist talk.
Past Exhibitions

&#60;img width="1024" height="707" width_o="1024" height_o="707" data-src="https://freight.cargo.site/t/original/i/5ae9f156d4efab2dea7eafccf7f22cc2a3133be5414e7046221183b2f610c44d/Chika2-1024x707.png" data-mid="216831572" border="0" alt="New Japan Photo 7 / CHI-KA" data-caption="New Japan Photo 7 / CHI-KA" src="https://freight.cargo.site/w/1000/i/5ae9f156d4efab2dea7eafccf7f22cc2a3133be5414e7046221183b2f610c44d/Chika2-1024x707.png" /&#62;
&#60;img width="843" height="1122" width_o="843" height_o="1122" data-src="https://freight.cargo.site/t/original/i/ef397af523fca64d49956634baacf9bed6b641c5fa5dc0e9694dd858ed4f36e7/ADCCA388-C068-4B53-ADDB-B4EA1F69144A.JPG" data-mid="215962424" border="0" alt="'A Taste of Ostalgie' at Asama International Photo Festival  浅間国際フォトフェスティバル 2024 " data-caption="'A Taste of Ostalgie' at Asama International Photo Festival  浅間国際フォトフェスティバル 2024 " src="https://freight.cargo.site/w/843/i/ef397af523fca64d49956634baacf9bed6b641c5fa5dc0e9694dd858ed4f36e7/ADCCA388-C068-4B53-ADDB-B4EA1F69144A.JPG" /&#62;
&#60;img width="3061" height="3827" width_o="3061" height_o="3827" data-src="https://freight.cargo.site/t/original/i/0466e142c6b21ec7608a7961e305f726af806cffc3625f5cfa877a7da5b633f1/insta_brotmuseum7-copy3.jpg" data-mid="237482264" border="0" alt="24. 10. 2024 - 13. 04. 2025 Verr&#38;uuml;ckt nach Fleisch (Crazy About Meat) Museum Brot und Kunst, Ulm, Germany" data-caption="24. 10. 2024 - 13. 04. 2025 Verrückt nach Fleisch (Crazy About Meat) Museum Brot und Kunst, Ulm, Germany" src="https://freight.cargo.site/w/1000/i/0466e142c6b21ec7608a7961e305f726af806cffc3625f5cfa877a7da5b633f1/insta_brotmuseum7-copy3.jpg" /&#62;
&#60;img width="848" height="1198" width_o="848" height_o="1198" data-src="https://freight.cargo.site/t/original/i/739ecfb7357023d935ef52a078b2fb2d06109ae866d8b3b50596b82503626622/Screenshot-2025-09-02-at-18.39.58.png" data-mid="237730241" border="0" alt="03. 09. - 02. 11. 2025  'Belief It Or Not&#38;rsquo; Group show Tsutaya Books Bukit Jalil &#38;amp;  Singapore Art Book Fair" data-caption="03. 09. - 02. 11. 2025  'Belief It Or Not’ Group show Tsutaya Books Bukit Jalil &#38;amp;  Singapore Art Book Fair" src="https://freight.cargo.site/w/848/i/739ecfb7357023d935ef52a078b2fb2d06109ae866d8b3b50596b82503626622/Screenshot-2025-09-02-at-18.39.58.png" /&#62;
&#60;img width="1134" height="1322" width_o="1134" height_o="1322" data-src="https://freight.cargo.site/t/original/i/fd5a9c72500bd8e3a2e48ec9948c72d825c5a17acad8b55a50c98fe93c6b04f6/MIyota-poster-2.jpg" data-mid="215962425" border="0" alt="PHOTO MIYOTA 2024" data-caption="PHOTO MIYOTA 2024" src="https://freight.cargo.site/w/1000/i/fd5a9c72500bd8e3a2e48ec9948c72d825c5a17acad8b55a50c98fe93c6b04f6/MIyota-poster-2.jpg" /&#62;
&#60;img width="3061" height="3827" width_o="3061" height_o="3827" data-src="https://freight.cargo.site/t/original/i/7cb3fca13f1233da8e594b6f5d715361e66ed3fe718d411fffa8800606288d06/insta_brotmuseum2.jpg" data-mid="237482235" border="0" alt="Verr&#38;uuml;ckt nach Fleisch (Crazy About Meat) exhibition / Museum Brot und Kunst" data-caption="Verrückt nach Fleisch (Crazy About Meat) exhibition / Museum Brot und Kunst" src="https://freight.cargo.site/w/1000/i/7cb3fca13f1233da8e594b6f5d715361e66ed3fe718d411fffa8800606288d06/insta_brotmuseum2.jpg" /&#62;
&#60;img width="2048" height="1535" width_o="2048" height_o="1535" data-src="https://freight.cargo.site/t/original/i/52301f5aad0956ed944065088bbe2a8c34ffeccbbacb085bb5c4f609e122b5a4/gallerycube.jpeg" data-mid="216715088" border="0" alt="Honey Rules the World / Gallery Cube+" data-caption="Honey Rules the World / Gallery Cube+" src="https://freight.cargo.site/w/1000/i/52301f5aad0956ed944065088bbe2a8c34ffeccbbacb085bb5c4f609e122b5a4/gallerycube.jpeg" /&#62;
&#60;img width="3061" height="3827" width_o="3061" height_o="3827" data-src="https://freight.cargo.site/t/original/i/0466e142c6b21ec7608a7961e305f726af806cffc3625f5cfa877a7da5b633f1/insta_brotmuseum7-copy3.jpg" data-mid="237482264" border="0" alt="'Verr&#38;uuml;ckt nach Fleisch' at Museum Brot und Kunst" data-caption="'Verrückt nach Fleisch' at Museum Brot und Kunst" src="https://freight.cargo.site/w/1000/i/0466e142c6b21ec7608a7961e305f726af806cffc3625f5cfa877a7da5b633f1/insta_brotmuseum7-copy3.jpg" /&#62;
&#60;img width="990" height="1236" width_o="990" height_o="1236" data-src="https://freight.cargo.site/t/original/i/5881a027f03d2763f6ce6150834883d694a156bd5b66edf96eeeb1b126d179b9/Screenshot-2025-08-26-at-23.33.43.png" data-mid="237482795" border="0"  src="https://freight.cargo.site/w/990/i/5881a027f03d2763f6ce6150834883d694a156bd5b66edf96eeeb1b126d179b9/Screenshot-2025-08-26-at-23.33.43.png" /&#62;
&#60;img width="1080" height="1080" width_o="1080" height_o="1080" data-src="https://freight.cargo.site/t/original/i/e45abbffe5eae987cae8240d32b19171f8f76716fdcdd8b824f6c4aaf8979ea2/FFO24-Instagram-Post-EN.jpg" data-mid="216861098" border="0" alt="'Canned' photo book presented at  Fotobokfestival Oslo 2024 at Gamle Munch " data-caption="'Canned' photo book presented at  Fotobokfestival Oslo 2024 at Gamle Munch " src="https://freight.cargo.site/w/1000/i/e45abbffe5eae987cae8240d32b19171f8f76716fdcdd8b824f6c4aaf8979ea2/FFO24-Instagram-Post-EN.jpg" /&#62;
&#60;img width="884" height="1358" width_o="884" height_o="1358" data-src="https://freight.cargo.site/t/original/i/ebb03b3323aa883578cf15e0c494c2733744770789e25ca6d6d7ae5ba84e46c2/RELEASE.png" data-mid="217873092" border="0" alt="RELEASE at Studios-ID / My project on East German food 'A Taste of Ostalgie' was presented at the former East German surveillance facility." data-caption="RELEASE at Studios-ID / My project on East German food 'A Taste of Ostalgie' was presented at the former East German surveillance facility." src="https://freight.cargo.site/w/884/i/ebb03b3323aa883578cf15e0c494c2733744770789e25ca6d6d7ae5ba84e46c2/RELEASE.png" /&#62;
&#60;img width="1024" height="576" width_o="1024" height_o="576" data-src="https://freight.cargo.site/t/original/i/ab90a2218f4b7e244eac936d0edc0834d61fca5dd33795b83fbd40a374a76bd5/PHOTOALT_01_w1200-1024x576.jpeg" data-mid="216714922" border="0" alt="浅間国際フォトフェスティバル 2022 PHOTO ALT / amana Virtual Museum " data-caption="浅間国際フォトフェスティバル 2022 PHOTO ALT / amana Virtual Museum " src="https://freight.cargo.site/w/1000/i/ab90a2218f4b7e244eac936d0edc0834d61fca5dd33795b83fbd40a374a76bd5/PHOTOALT_01_w1200-1024x576.jpeg" /&#62;
&#60;img width="956" height="1376" width_o="956" height_o="1376" data-src="https://freight.cargo.site/t/original/i/550b8166f1dc4cf214b6edd4d5b2038fc975327555cd09a7968179ac164b1b8a/6060.png" data-mid="216715023" border="0" alt="60 x 60 - Food=Politics + Pleasure / Museum Brot und Kunst" data-caption="60 x 60 - Food=Politics + Pleasure / Museum Brot und Kunst" src="https://freight.cargo.site/w/956/i/550b8166f1dc4cf214b6edd4d5b2038fc975327555cd09a7968179ac164b1b8a/6060.png" /&#62;
&#60;img width="838" height="548" width_o="838" height_o="548" data-src="https://freight.cargo.site/t/original/i/849cdcfefa5184ec8508ab10d1bf39eb033efe510c6db21585764c2d948a2355/talk-1024x554.jpeg" data-mid="216831574" border="0" alt="Philosophy Unbound / Berliner Ringtheater" data-caption="Philosophy Unbound / Berliner Ringtheater" src="https://freight.cargo.site/w/838/i/849cdcfefa5184ec8508ab10d1bf39eb033efe510c6db21585764c2d948a2355/talk-1024x554.jpeg" /&#62;

Selected Press

&#60;img width="1080" height="1351" width_o="1080" height_o="1351" data-src="https://freight.cargo.site/t/original/i/5197083bc17a69278630eaf3a79103bdb06a672fd8d5d7a354e80726809a4527/IMA_2023_1.jpg" data-mid="216648503" border="0" alt="IMA online STEP OUT! 特集（テキスト＝若山満大氏）" data-caption="IMA online STEP OUT! 特集（テキスト＝若山満大氏）" src="https://freight.cargo.site/w/1000/i/5197083bc17a69278630eaf3a79103bdb06a672fd8d5d7a354e80726809a4527/IMA_2023_1.jpg" /&#62;
&#60;img width="1080" height="1081" width_o="1080" height_o="1081" data-src="https://freight.cargo.site/t/original/i/6ff0a9ffbd1ac2f81d62f69307eba41c354b05176254c15547aaf3163e50a2a5/Liberation2022.jpg" data-mid="216714420" border="0" alt="Lib&#38;eacute;ration France" data-caption="Libération France" src="https://freight.cargo.site/w/1000/i/6ff0a9ffbd1ac2f81d62f69307eba41c354b05176254c15547aaf3163e50a2a5/Liberation2022.jpg" /&#62;
&#60;img width="1080" height="1351" width_o="1080" height_o="1351" data-src="https://freight.cargo.site/t/original/i/34db92ce5f3dc5912be7d9656323922ea6e0162339db4c0cc900e019b696dd68/wepresent1.jpg" data-mid="216648492" border="0" alt="Wepresent Feature &#38;amp; Interview" data-caption="Wepresent Feature &#38;amp; Interview" src="https://freight.cargo.site/w/1000/i/34db92ce5f3dc5912be7d9656323922ea6e0162339db4c0cc900e019b696dd68/wepresent1.jpg" /&#62;
&#60;img width="778" height="1134" width_o="778" height_o="1134" data-src="https://freight.cargo.site/t/original/i/68a80acfcfe2e759bcf6ba7a87d5187275c7c817a3b85162f8c4342af70af56c/Tages.jpg" data-mid="218423662" border="0" alt="Die Tageszeitung" data-caption="Die Tageszeitung" src="https://freight.cargo.site/w/778/i/68a80acfcfe2e759bcf6ba7a87d5187275c7c817a3b85162f8c4342af70af56c/Tages.jpg" /&#62;
&#60;img width="990" height="1220" width_o="990" height_o="1220" data-src="https://freight.cargo.site/t/original/i/60df33cec6d98dad73c657807f105fce196cfa32b6569cd3fead3a0acca63353/Screenshot-2024-08-21-at-16.19.16.png" data-mid="216831576" border="0" alt="VICE Mexico" data-caption="VICE Mexico" src="https://freight.cargo.site/w/990/i/60df33cec6d98dad73c657807f105fce196cfa32b6569cd3fead3a0acca63353/Screenshot-2024-08-21-at-16.19.16.png" /&#62;
&#60;img width="3024" height="3024" width_o="3024" height_o="3024" data-src="https://freight.cargo.site/t/original/i/2af5301c97c394492a3e7b9ae2b875f608e773542f9fad778f63004d704abc93/SocietyMagazine-1.jpg" data-mid="217871554" border="0" alt="Society Magazine Feature &#38;amp; Interview" data-caption="Society Magazine Feature &#38;amp; Interview" src="https://freight.cargo.site/w/1000/i/2af5301c97c394492a3e7b9ae2b875f608e773542f9fad778f63004d704abc93/SocietyMagazine-1.jpg" /&#62;
&#60;img width="1024" height="1024" width_o="1024" height_o="1024" data-src="https://freight.cargo.site/t/original/i/8ac335abc7b53ba46fbdf5dfcc4e6e019be136f65e19e92dd0e18995ad244f64/Fuet3-1024x1024.jpeg" data-mid="216714927" border="0" alt="FUET Magazine Feature" data-caption="FUET Magazine Feature" src="https://freight.cargo.site/w/1000/i/8ac335abc7b53ba46fbdf5dfcc4e6e019be136f65e19e92dd0e18995ad244f64/Fuet3-1024x1024.jpeg" /&#62;
&#60;img width="918" height="1354" width_o="918" height_o="1354" data-src="https://freight.cargo.site/t/original/i/8c8e236410465468eb00b66012e6a639cf338194005c7823fff159fb4d0564c5/Screenshot-2024-08-21-at-16.14.59.png" data-mid="216714880" border="0" alt="I/O Gazette no.75 Cover" data-caption="I/O Gazette no.75 Cover" src="https://freight.cargo.site/w/918/i/8c8e236410465468eb00b66012e6a639cf338194005c7823fff159fb4d0564c5/Screenshot-2024-08-21-at-16.14.59.png" /&#62;
&#60;img width="1000" height="948" width_o="1000" height_o="948" data-src="https://freight.cargo.site/t/original/i/7c5565d514e98b922cc5ada3a6c76119c09cadc34ef87bf4ee0aa703349b45f4/Kassel-shortlist.jpeg" data-mid="216714421" border="0" alt="Kassel Dummy Award 2020 shortlist" data-caption="Kassel Dummy Award 2020 shortlist" src="https://freight.cargo.site/w/1000/i/7c5565d514e98b922cc5ada3a6c76119c09cadc34ef87bf4ee0aa703349b45f4/Kassel-shortlist.jpeg" /&#62;
&#60;img width="706" height="661" width_o="706" height_o="661" data-src="https://freight.cargo.site/t/original/i/1aedfc4bb408586f3cc0134733068db2d16fc8cfcba2ea5341639337a736f433/Screenshot-2024-08-22-at-15.09.53.png" data-mid="216772070" border="0" alt="Food&#38;amp; Magazine feature" data-caption="Food&#38;amp; Magazine feature" src="https://freight.cargo.site/w/706/i/1aedfc4bb408586f3cc0134733068db2d16fc8cfcba2ea5341639337a736f433/Screenshot-2024-08-22-at-15.09.53.png" /&#62;
&#60;img width="1280" height="869" width_o="1280" height_o="869" data-src="https://freight.cargo.site/t/original/i/6a3d07d2f86a5587c07a583b0f53650086ee0d6951b4b5974aee1a9ffc62e52c/i-D.png" data-mid="216715042" border="0" alt="i-D Japan Interview" data-caption="i-D Japan Interview" src="https://freight.cargo.site/w/1000/i/6a3d07d2f86a5587c07a583b0f53650086ee0d6951b4b5974aee1a9ffc62e52c/i-D.png" /&#62;
&#60;img width="667" height="956" width_o="667" height_o="956" data-src="https://freight.cargo.site/t/original/i/6cd25c74686c462685d2c731394b67c1697a8df531c461cef062bca59cfe9f1b/Screenshot-2024-08-22-at-15.14.42.png" data-mid="216772071" border="0" alt="KALTBLUT Magazine feature" data-caption="KALTBLUT Magazine feature" src="https://freight.cargo.site/w/667/i/6cd25c74686c462685d2c731394b67c1697a8df531c461cef062bca59cfe9f1b/Screenshot-2024-08-22-at-15.14.42.png" /&#62;
&#60;img width="1024" height="491" width_o="1024" height_o="491" data-src="https://freight.cargo.site/t/original/i/fc6b12f22422126123de217e28dbec8e70aa5666c1a39513ce6f91be73be5533/ignant.jpeg" data-mid="216831571" border="0" alt="IGNANT feature" data-caption="IGNANT feature" src="https://freight.cargo.site/w/1000/i/fc6b12f22422126123de217e28dbec8e70aa5666c1a39513ce6f91be73be5533/ignant.jpeg" /&#62;



	

	
	


	
	
	
</description>
		
	</item>
		
		
	<item>
		<title>Canned</title>
				
		<link>https://kyokotakemura.net/Canned</link>

		<pubDate>Thu, 27 Oct 2022 18:50:53 +0000</pubDate>

		<dc:creator>Kyoko Takemura</dc:creator>

		<guid isPermaLink="true">https://kyokotakemura.net/Canned</guid>

		<description>

Canned &#38;nbsp;

&#60;img width="2400" height="1600" width_o="2400" height_o="1600" data-src="https://freight.cargo.site/t/original/i/2406af4337c31b3b7569da073f135b0357b39ec38535ccbdddd05ddb76685870/Canned_web8.jpg" data-mid="157515831" border="0"  src="https://freight.cargo.site/w/1000/i/2406af4337c31b3b7569da073f135b0357b39ec38535ccbdddd05ddb76685870/Canned_web8.jpg" /&#62;

Canned&#38;nbsp;
2014&#38;nbsp;
104x 118cm &#124; Fine art print on BarytaPhotography
&#38;nbsp;


	
The series celebrate the bizarre shelf life of canned food. The contents of a can begin as perishable matter that would quickly spoil if left as they are. Through processing and canning, decay is postponed and time is sealed out. What should have been temporary is forced into endurance.


Removed from their containers and solidified, these contents appear as unintentional sculptures shaped by human desire displaying the denial of decay, gestures of quiet violence against time.


	



&#60;img width="2400" height="1600" width_o="2400" height_o="1600" data-src="https://freight.cargo.site/t/original/i/6dc53a5eb77a2e7d1aae3fbc2394224f58feb05ce04d1bba83f5206113f60232/Canned_web1.jpg" data-mid="157515825" border="0"  src="https://freight.cargo.site/w/1000/i/6dc53a5eb77a2e7d1aae3fbc2394224f58feb05ce04d1bba83f5206113f60232/Canned_web1.jpg" /&#62;
&#60;img width="2400" height="1634" width_o="2400" height_o="1634" data-src="https://freight.cargo.site/t/original/i/9669b832756c19af3b7f4c18dc9fc95e0dc58ceb50b63cf59c77e9d6724db56c/Canned_web2.jpg" data-mid="157515854" border="0"  src="https://freight.cargo.site/w/1000/i/9669b832756c19af3b7f4c18dc9fc95e0dc58ceb50b63cf59c77e9d6724db56c/Canned_web2.jpg" /&#62;
&#60;img width="2400" height="1648" width_o="2400" height_o="1648" data-src="https://freight.cargo.site/t/original/i/8f6623f025f63ecb5c9ce032b41cac80aeed53845208d900267b51c7afdc716a/Canned_web6.jpg" data-mid="170968269" border="0"  src="https://freight.cargo.site/w/1000/i/8f6623f025f63ecb5c9ce032b41cac80aeed53845208d900267b51c7afdc716a/Canned_web6.jpg" /&#62;

&#60;img width="2400" height="1600" width_o="2400" height_o="1600" data-src="https://freight.cargo.site/t/original/i/da0ac95dd11e82a7f65ac14e6dd30562b1b7a43789a61f4edfd2708c604751dc/Canned_web4b.jpg" data-mid="157516552" border="0"  src="https://freight.cargo.site/w/1000/i/da0ac95dd11e82a7f65ac14e6dd30562b1b7a43789a61f4edfd2708c604751dc/Canned_web4b.jpg" /&#62;

&#60;img width="2400" height="1651" width_o="2400" height_o="1651" data-src="https://freight.cargo.site/t/original/i/93433c88896cc0cd3d21d75e80e4ad47bc43646a1c312ab0fc3a6f3774c51948/Canned_web3.jpg" data-mid="157516198" border="0"  src="https://freight.cargo.site/w/1000/i/93433c88896cc0cd3d21d75e80e4ad47bc43646a1c312ab0fc3a6f3774c51948/Canned_web3.jpg" /&#62;

&#60;img width="2400" height="1675" width_o="2400" height_o="1675" data-src="//freight.cargo.site/t/original/i/3d5460f2ff8b4460ea1e95c85a895ebbcd6a42714c14ecde4a0afe86ffbc17cd/Canned_web7.jpg" data-mid="157516384" border="0" style="width: 716.6875px; height: 500.188151px; display: none;"&#62;&#60;img width="2400" height="1675" width_o="2400" height_o="1675" data-src="https://freight.cargo.site/t/original/i/99e6ff48fe0daae154ce80b0d08f470061f4e46b09f8e5a6574a36baea830e95/Canned_web7.jpg" data-mid="157516643" border="0"  src="https://freight.cargo.site/w/1000/i/99e6ff48fe0daae154ce80b0d08f470061f4e46b09f8e5a6574a36baea830e95/Canned_web7.jpg" /&#62;
&#60;img width="2400" height="1599" width_o="2400" height_o="1599" data-src="https://freight.cargo.site/t/original/i/6c4308b00c381bcaa9d908c1b5c2524355e7fd692b7e6f695c785a83fc7b983f/Canned_web5.jpg" data-mid="157516422" border="0"  src="https://freight.cargo.site/w/1000/i/6c4308b00c381bcaa9d908c1b5c2524355e7fd692b7e6f695c785a83fc7b983f/Canned_web5.jpg" /&#62;
&#60;img width="3264" height="1786" width_o="3264" height_o="1786" data-src="https://freight.cargo.site/t/original/i/74d7bdd95357e51477e51de20e91cfd90887f719ba96c3bdd0270ab642c94d39/Canned_book.gif" data-mid="157379441" border="0" data-scale="97" src="https://freight.cargo.site/w/1000/i/74d7bdd95357e51477e51de20e91cfd90887f719ba96c3bdd0270ab642c94d39/Canned_book.gif" /&#62;
Canned  297 x 210 mm&#38;nbsp; 18 Pages Gloss laminate, Saddle-stitched cover Book available for sale


	本来すぐに消費しないと腐敗する肉や魚は、缶詰に加工されると数年間も保管することが可能になる。これは奇妙なことではないだろうか？安価に大量の食料を保存したいという人の心が意図せず作った彫刻と見ることもできる。


	





</description>
		
	</item>
		
		
	<item>
		<title>Born for Such a Time as This</title>
				
		<link>https://kyokotakemura.net/Born-for-Such-a-Time-as-This</link>

		<pubDate>Wed, 08 Feb 2023 12:56:55 +0000</pubDate>

		<dc:creator>Kyoko Takemura</dc:creator>

		<guid isPermaLink="true">https://kyokotakemura.net/Born-for-Such-a-Time-as-This</guid>

		<description>
	
Born for Such a Time as This



&#60;img width="2500" height="1669" width_o="2500" height_o="1669" data-src="https://freight.cargo.site/t/original/i/15789474b47c671a3d0ac5ae9bbbef84c7243f17e846a35fe3cad69e05393ee3/Holy_foam_5-copy.jpg" data-mid="182487821" border="0"  src="https://freight.cargo.site/w/1000/i/15789474b47c671a3d0ac5ae9bbbef84c7243f17e846a35fe3cad69e05393ee3/Holy_foam_5-copy.jpg" /&#62;



Born for Such a Time as This 2023HD video, 1'30''

	
	



	&#60;img width="2291" height="3000" width_o="2291" height_o="3000" data-src="https://freight.cargo.site/t/original/i/ce10fc1a4dbd8572f581144ecbedda607420461fef9579776327664fcb2de4e2/OurLadyforSale10_mono-copy.jpg" data-mid="182492944" border="0" data-scale="71" src="https://freight.cargo.site/w/1000/i/ce10fc1a4dbd8572f581144ecbedda607420461fef9579776327664fcb2de4e2/OurLadyforSale10_mono-copy.jpg" /&#62;


	
&#60;img width="2292" height="3000" width_o="2292" height_o="3000" data-src="https://freight.cargo.site/t/original/i/b9bab4ce27b185b3467ea30a41a76dea97eda0df89ee9beefad0501d7767cc38/OurLadyforSale1.jpg" data-mid="185389047" border="0"  src="https://freight.cargo.site/w/1000/i/b9bab4ce27b185b3467ea30a41a76dea97eda0df89ee9beefad0501d7767cc38/OurLadyforSale1.jpg" /&#62;
&#60;img width="2292" height="3000" width_o="2292" height_o="3000" data-src="https://freight.cargo.site/t/original/i/551c0da0c56282dce23faca1013ca1ac136eef449886dee369d8e88d0b352ba2/OurLadyforSale3.jpg" data-mid="185389073" border="0"  src="https://freight.cargo.site/w/1000/i/551c0da0c56282dce23faca1013ca1ac136eef449886dee369d8e88d0b352ba2/OurLadyforSale3.jpg" /&#62;
&#60;img width="2291" height="3000" width_o="2291" height_o="3000" data-src="https://freight.cargo.site/t/original/i/a6687951998507bf828ea758f5ce40ced03ba950a10770c9487a3dc418370269/OurLadyforSale12.jpg" data-mid="185389103" border="0"  src="https://freight.cargo.site/w/1000/i/a6687951998507bf828ea758f5ce40ced03ba950a10770c9487a3dc418370269/OurLadyforSale12.jpg" /&#62;
&#60;img width="2291" height="3000" width_o="2291" height_o="3000" data-src="https://freight.cargo.site/t/original/i/b7522e83cb3441ee38d151bef63dbbd0df86eb6c7d39fb257b16b0978238fa65/OurLadyforSale4.jpg" data-mid="185389075" border="0"  src="https://freight.cargo.site/w/1000/i/b7522e83cb3441ee38d151bef63dbbd0df86eb6c7d39fb257b16b0978238fa65/OurLadyforSale4.jpg" /&#62;
&#60;img width="2293" height="3000" width_o="2293" height_o="3000" data-src="https://freight.cargo.site/t/original/i/17458701716593e253fa915b9150b0ad7597c54e50f0f1b5f9b1f6e67c7ed81f/OurLadyforSale8.jpg" data-mid="185389076" border="0"  src="https://freight.cargo.site/w/1000/i/17458701716593e253fa915b9150b0ad7597c54e50f0f1b5f9b1f6e67c7ed81f/OurLadyforSale8.jpg" /&#62;
&#60;img width="2292" height="3000" width_o="2292" height_o="3000" data-src="https://freight.cargo.site/t/original/i/f50852cebf19f7e2c865843d645e79a26ab5bd586bc1ea673d32a50cf8c1f05d/OurLadyforSale5.jpg" data-mid="185389132" border="0"  src="https://freight.cargo.site/w/1000/i/f50852cebf19f7e2c865843d645e79a26ab5bd586bc1ea673d32a50cf8c1f05d/OurLadyforSale5.jpg" /&#62;
&#60;img width="2292" height="3000" width_o="2292" height_o="3000" data-src="https://freight.cargo.site/t/original/i/e549a6d4e50a3b33ffd0888121011a901f5274b056846c7f870ed1a728e03f30/OurLadyforSale7.jpg" data-mid="185389074" border="0"  src="https://freight.cargo.site/w/1000/i/e549a6d4e50a3b33ffd0888121011a901f5274b056846c7f870ed1a728e03f30/OurLadyforSale7.jpg" /&#62;
&#60;img width="2293" height="3000" width_o="2293" height_o="3000" data-src="https://freight.cargo.site/t/original/i/3fd3ffe6975111d01e013597e0c2765d5748e5f56a15e9c743fb80ef09e62dce/OurLadyforSale6.jpg" data-mid="185389087" border="0"  src="https://freight.cargo.site/w/1000/i/3fd3ffe6975111d01e013597e0c2765d5748e5f56a15e9c743fb80ef09e62dce/OurLadyforSale6.jpg" /&#62;
&#60;img width="2292" height="3000" width_o="2292" height_o="3000" data-src="https://freight.cargo.site/t/original/i/a3a8d4cd7022cb77f1d6f309c26b8a197f376e762ef7408211357f50b1ad53ea/OurLadyforSale9.jpg" data-mid="185389080" border="0"  src="https://freight.cargo.site/w/1000/i/a3a8d4cd7022cb77f1d6f309c26b8a197f376e762ef7408211357f50b1ad53ea/OurLadyforSale9.jpg" /&#62;
&#60;img width="2291" height="3000" width_o="2291" height_o="3000" data-src="https://freight.cargo.site/t/original/i/ad4528f590e55758296cfdf2dd61ab8f7b5ee118755d893502e3cba4c794a439/OurLadyforSale2.jpg" data-mid="185389090" border="0"  src="https://freight.cargo.site/w/1000/i/ad4528f590e55758296cfdf2dd61ab8f7b5ee118755d893502e3cba4c794a439/OurLadyforSale2.jpg" /&#62;

&#60;img width="2291" height="3000" width_o="2291" height_o="3000" data-src="https://freight.cargo.site/t/original/i/ac40ac93b47b82b79876e287832d08d82e2d94ed8f8d30a78f0c0355de40cfc2/OurLadyforSale13_mono.jpg" data-mid="182487870" border="0" data-scale="70" src="https://freight.cargo.site/w/1000/i/ac40ac93b47b82b79876e287832d08d82e2d94ed8f8d30a78f0c0355de40cfc2/OurLadyforSale13_mono.jpg" /&#62;



&#60;img width="2500" height="1754" width_o="2500" height_o="1754" data-src="https://freight.cargo.site/t/original/i/79a379f0efc963aaafe47945638e110a99d56413aec50f9560a4514b2b98fabf/Holy_foam_4.jpg" data-mid="182487998" border="0"  src="https://freight.cargo.site/w/1000/i/79a379f0efc963aaafe47945638e110a99d56413aec50f9560a4514b2b98fabf/Holy_foam_4.jpg" /&#62;

&#60;img width="2445" height="1721" width_o="2445" height_o="1721" data-src="https://freight.cargo.site/t/original/i/e790c844714ef47b691e7380e80f3811afa480827e05f3eeaae63fbf2664a112/bornforsuchatimeasthis_web_PRC.png" data-mid="237470135" border="0"  src="https://freight.cargo.site/w/1000/i/e790c844714ef47b691e7380e80f3811afa480827e05f3eeaae63fbf2664a112/bornforsuchatimeasthis_web_PRC.png" /&#62;


The figurines of the Virgin Mary purchased online were made in China, where the ruling Communist Party is officially atheist and only about 16 percent of the population identify as religious. In this context, these objects are produced primarily for profit, and the market economy endows them with a ‘sacredness’ to increase their value.&#38;nbsp;


&#60;img width="1786" height="2500" width_o="1786" height_o="2500" data-src="https://freight.cargo.site/t/original/i/f9f7231cd23cd58d21adbfea9c8c425900d3256643487d986f3ff3f567fc6b40/Holy_foam_7-copy.jpg" data-mid="182487819" border="0"  src="https://freight.cargo.site/w/1000/i/f9f7231cd23cd58d21adbfea9c8c425900d3256643487d986f3ff3f567fc6b40/Holy_foam_7-copy.jpg" /&#62;
&#60;img width="1184" height="1639" width_o="1184" height_o="1639" data-src="https://freight.cargo.site/t/original/i/daf833a1018193dbb43862ec5dc3bb2c28567c7d2a15c218afe66e30ffafcbea/bornforsuchatimeasthis_web_25_1.png" data-mid="237470232" border="0"  src="https://freight.cargo.site/w/1000/i/daf833a1018193dbb43862ec5dc3bb2c28567c7d2a15c218afe66e30ffafcbea/bornforsuchatimeasthis_web_25_1.png" /&#62;
&#60;img width="1184" height="1639" width_o="1184" height_o="1639" data-src="https://freight.cargo.site/t/original/i/58045058af1da1fe8e4976a38e7308c2f7337a65217411c9aeb2408ed039f3f4/bornforsuchatimeasthis_web_25_2.png" data-mid="237470234" border="0"  src="https://freight.cargo.site/w/1000/i/58045058af1da1fe8e4976a38e7308c2f7337a65217411c9aeb2408ed039f3f4/bornforsuchatimeasthis_web_25_2.png" /&#62;
&#60;img width="2143" height="3000" width_o="2143" height_o="3000" data-src="https://freight.cargo.site/t/original/i/2e548e54e20405031f2b1e921652fbb52ba85c5da32d926de1598a153248dfca/OurLadyforSale_7.jpg" data-mid="185386329" border="0"  src="https://freight.cargo.site/w/1000/i/2e548e54e20405031f2b1e921652fbb52ba85c5da32d926de1598a153248dfca/OurLadyforSale_7.jpg" /&#62;
The artist attempted to return the Mary figurine, which had been delivered in damaged condition, but the package was sent back. It was discovered that neither the address nor the recipient existed. The seller had used a fictitious address and subsequently deleted their Amazon account to avoid culpability.



&#60;img width="2500" height="1786" width_o="2500" height_o="1786" data-src="https://freight.cargo.site/t/original/i/604825a8d645e71246b2077767d053dc16b590004c6a3c733472f7038b0199e2/Holy_foam_6-copy.jpg" data-mid="182487822" border="0"  src="https://freight.cargo.site/w/1000/i/604825a8d645e71246b2077767d053dc16b590004c6a3c733472f7038b0199e2/Holy_foam_6-copy.jpg" /&#62;

"Jesus Authentic Crown Of Thorns From Holy Land Jerusalem 20cm Christian Handmade" €25.45, shipped from Israel.



&#60;img width="2857" height="4000" width_o="2857" height_o="4000" data-src="https://freight.cargo.site/t/original/i/3d8bb6efd989b4e112aa48c2da16e812756bd0d4a0e9ce97cc5f7376ec663489/BornforSuchaTime4.jpg" data-mid="237470660" border="0" data-scale="59" src="https://freight.cargo.site/w/1000/i/3d8bb6efd989b4e112aa48c2da16e812756bd0d4a0e9ce97cc5f7376ec663489/BornforSuchaTime4.jpg" /&#62;
&#60;img width="1310" height="1794" width_o="1310" height_o="1794" data-src="https://freight.cargo.site/t/original/i/74293e849246b587c011909f8767e2d808ff6d1f4950cedb0881fc7b8e3dd320/BornforSuchaTime4_web.png" data-mid="237470661" border="0"  src="https://freight.cargo.site/w/1000/i/74293e849246b587c011909f8767e2d808ff6d1f4950cedb0881fc7b8e3dd320/BornforSuchaTime4_web.png" /&#62;
&#60;img width="2500" height="3411" width_o="2500" height_o="3411" data-src="https://freight.cargo.site/t/original/i/28eacf5d25f36603592cb05d5d28b1faaf1be67146b332319a0bb5ea5f0dd39c/BornforSuchaTime6.jpg" data-mid="237470662" border="0"  src="https://freight.cargo.site/w/1000/i/28eacf5d25f36603592cb05d5d28b1faaf1be67146b332319a0bb5ea5f0dd39c/BornforSuchaTime6.jpg" /&#62;

Reverse Transubstantiation
2023  &#124;15x10x 7cm &#124; display stand, label, water, glass
photography set of 3


&#60;img width="2446" height="1724" width_o="2446" height_o="1724" data-src="https://freight.cargo.site/t/original/i/8e6615875421680ab0b722aa9769b3cc03dcc0d038986e50f70076764df39d50/Screenshot-2025-08-26-at-18.00.38.png" data-mid="237472320" border="0"  src="https://freight.cargo.site/w/1000/i/8e6615875421680ab0b722aa9769b3cc03dcc0d038986e50f70076764df39d50/Screenshot-2025-08-26-at-18.00.38.png" /&#62;


&#60;img width="2400" height="1715" width_o="2400" height_o="1715" data-src="https://freight.cargo.site/t/original/i/58ff8c6fdf4e7ac3b4c6956c7d44176c9c803cf02316143bc96018cad7686f6f/Holy_web_2.jpg" data-mid="175126721" border="0"  src="https://freight.cargo.site/w/1000/i/58ff8c6fdf4e7ac3b4c6956c7d44176c9c803cf02316143bc96018cad7686f6f/Holy_web_2.jpg" /&#62;
&#60;img width="2400" height="1713" width_o="2400" height_o="1713" data-src="https://freight.cargo.site/t/original/i/394d35ba51d34476e33b5a0350e2c86cc92ca37b47be4efc9128fc0cfc8357df/Holy_web_3.jpg" data-mid="175126725" border="0"  src="https://freight.cargo.site/w/1000/i/394d35ba51d34476e33b5a0350e2c86cc92ca37b47be4efc9128fc0cfc8357df/Holy_web_3.jpg" /&#62;

&#60;img width="2500" height="1782" width_o="2500" height_o="1782" data-src="https://freight.cargo.site/t/original/i/6d332f795a8527e4048b6de6527ba44a067680340de763fa2bab123790eb1481/Holy_foam_10-copy.jpg" data-mid="182487820" border="0"  src="https://freight.cargo.site/w/1000/i/6d332f795a8527e4048b6de6527ba44a067680340de763fa2bab123790eb1481/Holy_foam_10-copy.jpg" /&#62;The 3D crystal, purchased from China, depicts Jesus with East Asian facial features.



	&#60;img width="1216" height="1720" width_o="1216" height_o="1720" data-src="https://freight.cargo.site/t/original/i/05ee32c460c6195213d1743908b64b7970d3d35065f0c4774e06bfcb3cdc7a5f/Screenshot-2025-08-26-at-18.33.22.png" data-mid="237473233" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/05ee32c460c6195213d1743908b64b7970d3d35065f0c4774e06bfcb3cdc7a5f/Screenshot-2025-08-26-at-18.33.22.png" /&#62;
	&#60;img width="1218" height="1730" width_o="1218" height_o="1730" data-src="https://freight.cargo.site/t/original/i/7c9a659e3104c1bdff3cc668b39857634a81672bb419ae6dd57d442b291b791a/Screenshot-2025-08-26-at-18.47.16.png" data-mid="237473854" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/7c9a659e3104c1bdff3cc668b39857634a81672bb419ae6dd57d442b291b791a/Screenshot-2025-08-26-at-18.47.16.png" /&#62;




&#60;img width="2500" height="1786" width_o="2500" height_o="1786" data-src="https://freight.cargo.site/t/original/i/1a98a050fdb85344c400d5af0fa901539be79a0f20414b0e49d3b4bee1f4d1f9/Holy_web_9.jpg" data-mid="175247746" border="0"  src="https://freight.cargo.site/w/1000/i/1a98a050fdb85344c400d5af0fa901539be79a0f20414b0e49d3b4bee1f4d1f9/Holy_web_9.jpg" /&#62;
&#60;img width="2400" height="1714" width_o="2400" height_o="1714" data-src="https://freight.cargo.site/t/original/i/d76b8ab3fb5427177f7511f5522f00a98d309f79ba6d8213a5dab60346bb9b3d/Holy_web_12.jpg" data-mid="175359930" border="0"  src="https://freight.cargo.site/w/1000/i/d76b8ab3fb5427177f7511f5522f00a98d309f79ba6d8213a5dab60346bb9b3d/Holy_web_12.jpg" /&#62;
&#60;img width="2295" height="1639" width_o="2295" height_o="1639" data-src="https://freight.cargo.site/t/original/i/097f210471871435b15020b6e3f7a92663458caf42c0a3c913cc28604d09aa2e/Holy_web_13.jpg" data-mid="175366201" border="0"  src="https://freight.cargo.site/w/1000/i/097f210471871435b15020b6e3f7a92663458caf42c0a3c913cc28604d09aa2e/Holy_web_13.jpg" /&#62;
&#60;img width="2500" height="1787" width_o="2500" height_o="1787" data-src="https://freight.cargo.site/t/original/i/4386375c94f741be81c18c0a5cdc7a4d77a794f81518d5dfcecec23f9dd8f5e1/Holy_foam_8-copy.jpg" data-mid="182487817" border="0"  src="https://freight.cargo.site/w/1000/i/4386375c94f741be81c18c0a5cdc7a4d77a794f81518d5dfcecec23f9dd8f5e1/Holy_foam_8-copy.jpg" /&#62;



&#60;img width="678" height="678" width_o="678" height_o="678" data-src="https://freight.cargo.site/t/original/i/10afaad956c25b4353f08e3bdbcfda62519555323cc339a222a1c54989750dd3/Screenshot-2025-08-26-at-18.01.28.png" data-mid="237472316" border="0" alt="Weeping Madonna, Syracuse, 1953. Miracle later attributed to condensation." data-caption="Weeping Madonna, Syracuse, 1953. Miracle later attributed to condensation." src="https://freight.cargo.site/w/678/i/10afaad956c25b4353f08e3bdbcfda62519555323cc339a222a1c54989750dd3/Screenshot-2025-08-26-at-18.01.28.png" /&#62;
&#60;img width="942" height="762" width_o="942" height_o="762" data-src="https://freight.cargo.site/t/original/i/2f8818e0096852a0d4ae976ccae2dedf86d58c551b7e67a124b234d0b3b16adf/Screenshot-2025-08-26-at-18.23.50.png" data-mid="237472514" border="0" alt=" Cross being removed from a church in Henan,  China, 2016." data-caption=" Cross being removed from a church in Henan,  China, 2016." src="https://freight.cargo.site/w/942/i/2f8818e0096852a0d4ae976ccae2dedf86d58c551b7e67a124b234d0b3b16adf/Screenshot-2025-08-26-at-18.23.50.png" /&#62;
&#60;img width="922" height="752" width_o="922" height_o="752" data-src="https://freight.cargo.site/t/original/i/b00d57f54677c3424867f843194cda49206d068d10acace4e8516d7189f0412d/Screenshot-2025-08-26-at-18.29.35.png" data-mid="237473230" border="0" alt="Video still from a promotional clip of a Chinese rosary company" data-caption="Video still from a promotional clip of a Chinese rosary company" src="https://freight.cargo.site/w/922/i/b00d57f54677c3424867f843194cda49206d068d10acace4e8516d7189f0412d/Screenshot-2025-08-26-at-18.29.35.png" /&#62;
&#60;img width="962" height="1086" width_o="962" height_o="1086" data-src="https://freight.cargo.site/t/original/i/67790fa155611e08ac729b265282bbc9813fa880ed25e0430a2cd2e3e0495f55/Screenshot-2025-08-26-at-18.38.34.png" data-mid="237473235" border="0" alt="Reconstruction of a Galilean man, 2001, illustrating how Jesus may have appeared in his time and place." data-caption="Reconstruction of a Galilean man, 2001, illustrating how Jesus may have appeared in his time and place." src="https://freight.cargo.site/w/962/i/67790fa155611e08ac729b265282bbc9813fa880ed25e0430a2cd2e3e0495f55/Screenshot-2025-08-26-at-18.38.34.png" /&#62;
&#60;img width="890" height="1084" width_o="890" height_o="1084" data-src="https://freight.cargo.site/t/original/i/b3c8bc547a3470a800f5dfdac5461c1e73b4fd49a66102e67f1b34de6b0ada47/Screenshot-2025-08-26-at-18.35.22.png" data-mid="237473234" border="0" alt="Chinese poster, undated, ca.1930, depicting  Christ&#38;rsquo;s resurrection. " data-caption="Chinese poster, undated, ca.1930, depicting  Christ’s resurrection. " src="https://freight.cargo.site/w/890/i/b3c8bc547a3470a800f5dfdac5461c1e73b4fd49a66102e67f1b34de6b0ada47/Screenshot-2025-08-26-at-18.35.22.png" /&#62;
&#60;img width="1105" height="970" width_o="1105" height_o="970" data-src="https://freight.cargo.site/t/original/i/788c4b47aa71e7c6a9048b3c98814e6dc502c8e5e9b7bf864dec9a11ae7ff6c6/Screenshot-2025-08-26-at-18.41.50.png" data-mid="237485463" border="0" alt=" Grade II-listed chapel in Cornwall, UK listed for sale on a real estate website." data-caption=" Grade II-listed chapel in Cornwall, UK listed for sale on a real estate website." src="https://freight.cargo.site/w/1000/i/788c4b47aa71e7c6a9048b3c98814e6dc502c8e5e9b7bf864dec9a11ae7ff6c6/Screenshot-2025-08-26-at-18.41.50.png" /&#62;
&#60;img width="1398" height="1036" width_o="1398" height_o="1036" data-src="https://freight.cargo.site/t/original/i/b45e3b7c59720a6f60b8e274a7259036700ac6198d7cb83ca57516343e602881/Screenshot-2025-08-26-at-18.43.21.png" data-mid="237473268" border="0" alt=" Star Wars themed Sunday service held  at a Protestant church in Berlin, 2015. " data-caption=" Star Wars themed Sunday service held  at a Protestant church in Berlin, 2015. " src="https://freight.cargo.site/w/1000/i/b45e3b7c59720a6f60b8e274a7259036700ac6198d7cb83ca57516343e602881/Screenshot-2025-08-26-at-18.43.21.png" /&#62;

&#60;img width="709" height="1004" width_o="709" height_o="1004" data-src="https://freight.cargo.site/t/original/i/7aa68fb695f3dcd6341b3b88b33729bca78f018ab3371789c1cccc2c68b454bd/Screenshot-2025-08-26-at-16.58.18.png" data-mid="237472095" border="0" data-scale="60" src="https://freight.cargo.site/w/709/i/7aa68fb695f3dcd6341b3b88b33729bca78f018ab3371789c1cccc2c68b454bd/Screenshot-2025-08-26-at-16.58.18.png" /&#62;


	[EN]

 
"Born for Such a Time as This" operates as a study of religious products available online, representing the contemporary nexus of religion, consumerism and modern capitalism, in which we locate ourselves. It explores the powerful forces of consumer culture and how they intersect with religion in today’s society, where the market economy engulfs even the most sacred. The title is a reference to the biblical phrase "Perhaps you were born for such a time as this" (Esther 4:14), which speaks to stepping up to fulfil God's purpose, even if it means earthly death.If all things are done according to His plan, the crown of thorns and holy water sold online are also made for His purpose. We wonder what that might be?If all things are done according to His plan, the crown of thorns and holy water sold online are also made for His purpose. 
We wonder what that might be?
Using photography and video, Takemura simultaneously explores her particular interest in Christianity, which has its roots in her childhood and adolescence when she spent 15 years in a Catholic missionary school.



	[日] 
『Born For Such A Time As This』 は、Amazonでキリスト教関連のグッズ (安価な量産品) を40点余り購入し撮影した写真シリーズを中心に、関連文化・歴史とリサーチの記録、同名の出版物で構成される。単なる「モノ」として大量生産された製品に「神聖さ」という付加価値が付けられ、ECサイトを中心とした市場経済でグッズとして流通している様子を記録した。
「神聖」という目に見えない性質を利用することで「価値」を創造する現代資本主義の構造に注目し、宗教と消費主義がどのように結びつき、影響し合っているかを考察する。
あらゆるものが商品化される消費社会に生きる私たちにとって、生活の隅々まで浸透した市場経済の見えざる手は、さながら神に代わる超自然的存在のようである。

タイトルの 『Born For Such A Time As This』 は「あなたはこのような時代のために生まれたのだろう」(エステル記4:14)という旧約聖書の一節に由来する。
状況が切迫しているとしても、全てのものごとは神が定めた目的のためにこの世に存在する、という意味のこの言葉に依るならば、これらの商品も神の計画の一部ということになる。
キリスト教抑圧体制を敷く中国で大量生産された顔の歪んだマリア像や、1本9ドルのヨルダン川の聖水もまた、神によって「この時代のために」存在するものなのだろうか。同名の出版物の中では、植民地支配におけるホワイトウォッシュ現象が生んだ「白人のキリスト」と、現代も続くキリストの表象の歪みや、
破損したマリア像を郵送後、架空の住所と名前を残して消えた販売者の詐欺行為の実例など、リサーチと制作過程の記録を併せてまとめている。作品の基底にはカトリック系ミッションスクールで15 年を過ごした武村のキリスト教への強い関心がある。


	
</description>
		
	</item>
		
		
	<item>
		<title>Luxury beyond Death</title>
				
		<link>https://kyokotakemura.net/Luxury-beyond-Death</link>

		<pubDate>Sun, 30 Oct 2022 20:43:53 +0000</pubDate>

		<dc:creator>Kyoko Takemura</dc:creator>

		<guid isPermaLink="true">https://kyokotakemura.net/Luxury-beyond-Death</guid>

		<description>
Luxury beyond Death
&#60;img width="5000" height="3570" width_o="5000" height_o="3570" data-src="https://freight.cargo.site/t/original/i/8200300fe59a8845fdc10fa2c81bfdb7ecfe96d983006dc0f5fd5ac3bf0f0276/top_lux.jpeg" data-mid="160512333" border="0"  src="https://freight.cargo.site/w/1000/i/8200300fe59a8845fdc10fa2c81bfdb7ecfe96d983006dc0f5fd5ac3bf0f0276/top_lux.jpeg" /&#62;

	
	Luxury beyond Death - Ghost Money I
2018



The series portrays the paper offerings traditionally burned in funeral rituals across East and Southeast Asia to send money and material goods to the deceased in the afterlife. Alongside ghost money resembling legal tender, paper offerings replicate everyday necessities such as clothing and household goods, often imitating luxury brands like Rolex and Nike.


The project highlights our obsession with consumerism whilst simultaneously raising questions about what awaits us in the afterlife. 


Ghost money is worthless to the living, and the billions we generate will be equally useless to us once we die. So what’s truly valuable in life? 


And if there is an afterlife, how do we know that this is not it?

	

&#60;img width="3000" height="2143" width_o="3000" height_o="2143" data-src="https://freight.cargo.site/t/original/i/4ba7d3a26c907a834c63a8f07ab3687a65833d435932ea80289385c3fe388bdf/1.Kyoko-Takemura.jpg" data-mid="160513132" border="0"  src="https://freight.cargo.site/w/1000/i/4ba7d3a26c907a834c63a8f07ab3687a65833d435932ea80289385c3fe388bdf/1.Kyoko-Takemura.jpg" /&#62;
&#60;img width="3000" height="2143" width_o="3000" height_o="2143" data-src="https://freight.cargo.site/t/original/i/b1764b85da39ffb92805ca0f26cf0b14450a5102d5d6f6cf454929b5b13f3875/2.Kyoko-Takemura.jpg" data-mid="160513066" border="0"  src="https://freight.cargo.site/w/1000/i/b1764b85da39ffb92805ca0f26cf0b14450a5102d5d6f6cf454929b5b13f3875/2.Kyoko-Takemura.jpg" /&#62;

&#60;img width="3000" height="2143" width_o="3000" height_o="2143" data-src="https://freight.cargo.site/t/original/i/88702a08530b3d5f7202f11f94a6ea56d96a5060818565b6feb072f7a27ea84a/6.Kyoko-Takemura.jpg" data-mid="160513084" border="0"  src="https://freight.cargo.site/w/1000/i/88702a08530b3d5f7202f11f94a6ea56d96a5060818565b6feb072f7a27ea84a/6.Kyoko-Takemura.jpg" /&#62;

&#60;img width="3000" height="2142" width_o="3000" height_o="2142" data-src="https://freight.cargo.site/t/original/i/583b888f3c72094f863779b345010a7dd062404194abe9f0ced293eff76976d0/Dollar.jpeg" data-mid="160513516" border="0"  src="https://freight.cargo.site/w/1000/i/583b888f3c72094f863779b345010a7dd062404194abe9f0ced293eff76976d0/Dollar.jpeg" /&#62;
&#60;img width="3000" height="2143" width_o="3000" height_o="2143" data-src="https://freight.cargo.site/t/original/i/af18434b0500483fbff14ea8131dbbe86c6063fe00ce191d6e0bfff05028c152/3.Kyoko-Takemura.jpg" data-mid="160513553" border="0"  src="https://freight.cargo.site/w/1000/i/af18434b0500483fbff14ea8131dbbe86c6063fe00ce191d6e0bfff05028c152/3.Kyoko-Takemura.jpg" /&#62;


&#60;img width="3000" height="2143" width_o="3000" height_o="2143" data-src="https://freight.cargo.site/t/original/i/9ab60dbb24958e2ff8d2c6230a51ff3b91372124f5a8fca4aa5149d23a7eaef1/4.Kyoko-Takemura.jpg" data-mid="160513588" border="0"  src="https://freight.cargo.site/w/1000/i/9ab60dbb24958e2ff8d2c6230a51ff3b91372124f5a8fca4aa5149d23a7eaef1/4.Kyoko-Takemura.jpg" /&#62;
&#60;img width="3000" height="2145" width_o="3000" height_o="2145" data-src="https://freight.cargo.site/t/original/i/449460a1e9918182aa5a899f7ae0bec96673916e32e467b5304de278d23e830d/5.Kyoko-Takemura.jpg" data-mid="160513594" border="0"  src="https://freight.cargo.site/w/1000/i/449460a1e9918182aa5a899f7ae0bec96673916e32e467b5304de278d23e830d/5.Kyoko-Takemura.jpg" /&#62;
&#60;img width="3000" height="2143" width_o="3000" height_o="2143" data-src="https://freight.cargo.site/t/original/i/fee19dc7519e0dd458eb25eaf0fb4758b048a1b8648db71357d0de5e58d58db9/7.Kyoko-Takemura.jpg" data-mid="160513628" border="0"  src="https://freight.cargo.site/w/1000/i/fee19dc7519e0dd458eb25eaf0fb4758b048a1b8648db71357d0de5e58d58db9/7.Kyoko-Takemura.jpg" /&#62;

&#60;img width="3000" height="2142" width_o="3000" height_o="2142" data-src="https://freight.cargo.site/t/original/i/bee9960d04fb123d4476ee40e72e3c2d63cc8f7606aab2abe1558adcb90c24d6/9.Kyoko-Takemura.jpg" data-mid="160513146" border="0"  src="https://freight.cargo.site/w/1000/i/bee9960d04fb123d4476ee40e72e3c2d63cc8f7606aab2abe1558adcb90c24d6/9.Kyoko-Takemura.jpg" /&#62;The subjects were sourced from a Vietnamese market in Berlin.


	
	台湾やベトナムなどのアジア諸国には、親族が故人のために
身の回り品の紙の模型や偽物の紙幣「冥銭」を燃やす習慣があり、
天に昇る煙を介して死者に物資を届けることができるとされている。

肉体を去った意識はあの世で再び身体を手に入れるのだろうか？死後の世界におけるナイキやロレックスなどのブランド物、札束の価値とは？ 
死者のための冥銭はこの世では役に立たないが、この世で「本物の」通貨もまた
死んでしまえば紙切れにすぎない。生きていれば億万の価値も
死ぬ時はゴミに等しいのならば、本当の価値はどこに存在するのか？ 

私たちは死の向こう側を知ることができない。であれば、私たちが生きているこの世界が
ある次元から見た死後の世界である可能性は否定できるだろうか？







消費社会に生きる人間の物質的な豊かさへの執着に焦点を当てながら、
死の向こうで私たちを待ち受けるものについて考える。

	
</description>
		
	</item>
		
		
	<item>
		<title>A Taste of Ostalgie</title>
				
		<link>https://kyokotakemura.net/A-Taste-of-Ostalgie</link>

		<pubDate>Sun, 30 Oct 2022 10:17:52 +0000</pubDate>

		<dc:creator>Kyoko Takemura</dc:creator>

		<guid isPermaLink="true">https://kyokotakemura.net/A-Taste-of-Ostalgie</guid>

		<description>


A Taste of Ostalgie


	&#60;img width="2028" height="3000" width_o="2028" height_o="3000" data-src="https://freight.cargo.site/t/original/i/9f137bd9445d504eee56b05568090b2bd91186af213e3a165e5823548d7e13f4/GDR2.jpeg" data-mid="160515484" border="0"  src="https://freight.cargo.site/w/1000/i/9f137bd9445d504eee56b05568090b2bd91186af213e3a165e5823548d7e13f4/GDR2.jpeg" /&#62;
	&#60;img width="3391" height="5000" width_o="3391" height_o="5000" data-src="https://freight.cargo.site/t/original/i/6dc93b743063cd6fc298e9712ec4854f8c98a7ac435aa25a90a472c8d03a7ec1/GDR3-latest.jpg" data-mid="170962318" border="0"  src="https://freight.cargo.site/w/1000/i/6dc93b743063cd6fc298e9712ec4854f8c98a7ac435aa25a90a472c8d03a7ec1/GDR3-latest.jpg" /&#62;
A Taste of Ostalgie - Zülze,&#38;nbsp;Schokoladen Suppe/ Chocolate Soup
35x 26cm &#124; Fine art print on Barita paperPhotography
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 
	Ostalgie - a portmanteau of the German words for ‘nostalgia’ and ‘east’ - is a trend found in eastern Germany, signifying nostalgia for life in the German Democratic Republic (GDR).


The series explores foodstuffs and recreates the dishes that were common in the GDR, often born out of necessity in a ‘planned economy’ where people faced constant food shortages. The majority of cultural icons of the GDR disappeared with the fall of the Berlin Wall. 


Ostalgie is a longing for the down-to-earth aspects of a bygone era, if not for the injustices committed by the regime. Remembering the GDR period is always accompanied by ambivalence; melancholy and defiance.
	



&#60;img width="3000" height="2061" width_o="3000" height_o="2061" data-src="https://freight.cargo.site/t/original/i/264999e38eaef6a2e8e9d29c728f15b638b4f0fef2afdff61021dec1c5c6d535/GDR4_.jpeg" data-mid="160515542" border="0" data-scale="74" src="https://freight.cargo.site/w/1000/i/264999e38eaef6a2e8e9d29c728f15b638b4f0fef2afdff61021dec1c5c6d535/GDR4_.jpeg" /&#62;
A Taste of Ostalgie - Sauer Ei / Sour Eggs
35x 26cm &#124; Fine art print on Barita paperPhotography

&#60;img width="2755" height="4000" width_o="2755" height_o="4000" data-src="https://freight.cargo.site/t/original/i/cd4208c583a095241d9c22eafc584fcde2a520aefdbd5c1de9f0da9b443397f0/GDR5-latest-2023.jpg" data-mid="170966223" border="0" data-scale="54" src="https://freight.cargo.site/w/1000/i/cd4208c583a095241d9c22eafc584fcde2a520aefdbd5c1de9f0da9b443397f0/GDR5-latest-2023.jpg" /&#62;
A Taste of Ostalgie - Ketwurst&#38;nbsp;
26x 34cm &#124; Fine art print on Barita paperPhotography

	The creativity of GDR citizens in developping their own dishes with the available resources is addressed in these meals. The average diet consisted of canned or processed food, fat, bread, chicken and vegetables grown in the GDR such as potatoes and carrots, as finding other fresh vegetables and fruits required patience and luck.

	

&#60;img width="2400" height="1600" width_o="2400" height_o="1600" data-src="https://freight.cargo.site/t/original/i/34efc742e8be7216c7f13b4090a54c6f0a9872f1f09a20af4d53f99a2f8e5f33/DDR_sausage_web_.jpg" data-mid="176729174" border="0"  src="https://freight.cargo.site/w/1000/i/34efc742e8be7216c7f13b4090a54c6f0a9872f1f09a20af4d53f99a2f8e5f33/DDR_sausage_web_.jpg" /&#62;
&#60;img width="2400" height="1601" width_o="2400" height_o="1601" data-src="https://freight.cargo.site/t/original/i/b56dc4c1905cd7d8b4ca6bf4477b3e3ad71ddec9afea8f4a5c5ac682eba74573/DDR_burger_web.jpg" data-mid="176729044" border="0"  src="https://freight.cargo.site/w/1000/i/b56dc4c1905cd7d8b4ca6bf4477b3e3ad71ddec9afea8f4a5c5ac682eba74573/DDR_burger_web.jpg" /&#62;

	Hotgog and Ketwurst / Hamburger and Grilletta
During the division, East Germans were not allowed to come into contact with Western culture or to travel to the West. English was seen as the language of the class enemy, US and its allies. So Ketwurst and Griletta were invented in the GDR as an answer to the capitalist fast food.
	
















	&#60;img width="2400" height="3002" width_o="2400" height_o="3002" data-src="https://freight.cargo.site/t/original/i/3e166d532badee1085a6a1fdd49b271cc0f5ad38565875b7ee2e025895c3e122/DDR_margarine-copy.jpg" data-mid="176729181" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/3e166d532badee1085a6a1fdd49b271cc0f5ad38565875b7ee2e025895c3e122/DDR_margarine-copy.jpg" /&#62;

	&#60;img width="2400" height="2999" width_o="2400" height_o="2999" data-src="https://freight.cargo.site/t/original/i/f00f9a44b55c691a6623f6e842bfd92f23feb03d9991b6670fa5c4dbaae3a758/DDR_soup.jpg" data-mid="176729908" border="0"  src="https://freight.cargo.site/w/1000/i/f00f9a44b55c691a6623f6e842bfd92f23feb03d9991b6670fa5c4dbaae3a758/DDR_soup.jpg" /&#62;


	&#60;img width="2400" height="3000" width_o="2400" height_o="3000" data-src="https://freight.cargo.site/t/original/i/6c046159ed162a6eb0287ab36b8cf55d83da7223e67198d02ad962e095cbff47/S_hallogen_web.jpg" data-mid="176733312" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/6c046159ed162a6eb0287ab36b8cf55d83da7223e67198d02ad962e095cbff47/S_hallogen_web.jpg" /&#62;

&#60;img width="2400" height="2999" width_o="2400" height_o="2999" data-src="https://freight.cargo.site/t/original/i/2b142fadde581d45cb7ffd9a240d7ec8a4e6e8d164b0815a6ce983d7aa0118bd/S_Oblaten_web.jpg" data-mid="177076356" border="0"  src="https://freight.cargo.site/w/1000/i/2b142fadde581d45cb7ffd9a240d7ec8a4e6e8d164b0815a6ce983d7aa0118bd/S_Oblaten_web.jpg" /&#62;
	&#60;img width="1053" height="1316" width_o="1053" height_o="1316" data-src="https://freight.cargo.site/t/original/i/12d0d8148202db856024d6e6c46dbbed264f9a6b8daf5aa2ee6d2341d309366c/GrabowerWaffel_web.jpg" data-mid="176730717" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/12d0d8148202db856024d6e6c46dbbed264f9a6b8daf5aa2ee6d2341d309366c/GrabowerWaffel_web.jpg" /&#62;

&#60;img width="2116" height="2645" width_o="2116" height_o="2645" data-src="https://freight.cargo.site/t/original/i/0d75813460a86ea722f300c0a2998c4b0645f38c48e40c7db20c46abff49c44a/Kalterhund_blue_web.jpg" data-mid="177076312" border="0"  src="https://freight.cargo.site/w/1000/i/0d75813460a86ea722f300c0a2998c4b0645f38c48e40c7db20c46abff49c44a/Kalterhund_blue_web.jpg" /&#62;


	
ドイツ分裂時代の旧東ドイツの家庭において一般的だった食事を再現したシリーズ。Ostalgieとは旧東ドイツの文化や生活を懐かしむ近年の風潮を指す。
社会主義政権による計画経済のために慢性的な食糧不足に直面していた東ドイツの人々は、限られた食材を使って独自の料理を生み出した。にんじんや玉ねぎ、じゃがいもなどを除いて新鮮な野菜や果物を入手することが困難だった当時、庶民の食卓の大部分を占めたのはパン、肉、卵、マーガリン、瓶詰め・缶詰食品などであった。


経済破綻、秘密警察による抑圧や監視、亡命を試みる者の銃殺など、現在も旧東ドイツには暗いイメージがつきまとい、ドイツの文化や歴史を語る際には触れられないことが多い。
1990年のベルリンの壁崩壊後、東ドイツ民主共和国は消滅し、同時にその文化的アイコンの大部分は姿を消した。 消えていく食文化の中に、失われた国の社会の様相や、それに適応してみせた庶民の知恵と創造性を見ることができる。
	




</description>
		
	</item>
		
		
	<item>
		<title>How To Be a Housewife</title>
				
		<link>https://kyokotakemura.net/How-To-Be-a-Housewife</link>

		<pubDate>Mon, 10 Aug 2026 08:04:28 +0000</pubDate>

		<dc:creator>Kyoko Takemura</dc:creator>

		<guid isPermaLink="true">https://kyokotakemura.net/How-To-Be-a-Housewife</guid>

		<description>
	
How to Be a Housewife
 如何成為家庭主婦( work in progress )

&#60;img width="2181" height="2908" width_o="2181" height_o="2908" data-src="https://freight.cargo.site/t/original/i/1d0b9f4614aeb5bbb3a3ef6e5685dff684d395140dfc0182b01714c7020d694e/Paperbags_scan.jpg" data-mid="251626197" border="0" data-scale="73" src="https://freight.cargo.site/w/1000/i/1d0b9f4614aeb5bbb3a3ef6e5685dff684d395140dfc0182b01714c7020d694e/Paperbags_scan.jpg" /&#62;
&#60;img width="2181" height="2908" width_o="2181" height_o="2908" data-src="https://freight.cargo.site/t/original/i/f4736fb711c71603d3012037d5d29211200deaa03503264d7652e7d94fbfbc7b/Paperbag_scan2.jpg" data-mid="251626198" border="0" data-scale="73" src="https://freight.cargo.site/w/1000/i/f4736fb711c71603d3012037d5d29211200deaa03503264d7652e7d94fbfbc7b/Paperbag_scan2.jpg" /&#62;
&#60;img width="2181" height="2908" width_o="2181" height_o="2908" data-src="https://freight.cargo.site/t/original/i/7ed4660fc799b086777d0242cfb39b5320e075ab1a0a7221fa174224568c5abe/Paperbag_scan4.jpg" data-mid="251626210" border="0" data-scale="73" src="https://freight.cargo.site/w/1000/i/7ed4660fc799b086777d0242cfb39b5320e075ab1a0a7221fa174224568c5abe/Paperbag_scan4.jpg" /&#62;
&#60;img width="2181" height="2908" width_o="2181" height_o="2908" data-src="https://freight.cargo.site/t/original/i/0ea5e72b3337098482d4f4f5b73d25315e370f24b1b64291dbdb543c8e9e606a/Paperbag_scan3.jpg" data-mid="251626230" border="0" data-scale="73" src="https://freight.cargo.site/w/1000/i/0ea5e72b3337098482d4f4f5b73d25315e370f24b1b64291dbdb543c8e9e606a/Paperbag_scan3.jpg" /&#62;
&#60;img width="5924" height="3949" width_o="5924" height_o="3949" data-src="https://freight.cargo.site/t/original/i/481c6509697da8bf9c688780b8433771cba352ef7e7848f67c3c71a06ca596f1/THRA0024.jpg" data-mid="251301444" border="0" data-scale="95" src="https://freight.cargo.site/w/1000/i/481c6509697da8bf9c688780b8433771cba352ef7e7848f67c3c71a06ca596f1/THRA0024.jpg" /&#62;

&#60;img width="1020" height="1366" width_o="1020" height_o="1366" data-src="https://freight.cargo.site/t/original/i/e3933ff14565e1b8d4f7afd886334006dc497a68d4deb2fa4fe64c752577d2ea/Screenshot-2026-08-27-at-15.39.04.png" data-mid="251606291" border="0" data-scale="66" src="https://freight.cargo.site/w/1000/i/e3933ff14565e1b8d4f7afd886334006dc497a68d4deb2fa4fe64c752577d2ea/Screenshot-2026-08-27-at-15.39.04.png" /&#62;

&#60;img width="1934" height="1298" width_o="1934" height_o="1298" data-src="https://freight.cargo.site/t/original/i/b988b748ac57cc20fc466c7c1c8e0c28140806f282b06e7b6fa25e0d88c26087/basket_hazy_web.png" data-mid="251626271" border="0"  src="https://freight.cargo.site/w/1000/i/b988b748ac57cc20fc466c7c1c8e0c28140806f282b06e7b6fa25e0d88c26087/basket_hazy_web.png" /&#62;

How to Be a Housewife 2026 &#38;nbsp;HD video, 1'18''left: How To Be a Housewife, US, 1952&#38;nbsp; &#38;nbsp;  &#38;nbsp; &#38;nbsp; right: Сверстницы (Female Age-Mates), USSR, 1959Films both made in 1950s during the Cold War, reflecting contrasting feminine ideals.左：『How To Be a Housewife』（米 1952年）　右：『Сверстницы』（ソ連1959年）
いずれも冷戦下の1950年代に制作された作品であり、米ソの対照的な女性の理想像が描写されている。



	（EN）
Using the ‘Shopping Girl’ mascot, a feminine figure commonly printed on Taiwanese snack packaging, as a visual anchor, the project investigates how socially prescribed feminine ideals persist silently in everyday objects, outliving the context that produced them, revealing the subtle tension between past expectations and present realities.
The shopping girl archetype, a round-faced, smiling, often wearing an apron and carrying a basket or products, draws on post-war American ideals of domestic femininity. During the Cold War, this figure embodied the cheerful, service-oriented housewife promoted as part of a vision of modern life in which capitalism promised convenience, abundance, and happiness. In Japan, under US occupation, this visual culture was adopted and transformed into character forms, integrated into print media and everyday objects.
The character representing Japan’s interpretation of American modern life subsequently reached Taiwan, where Japanese visual culture remained influential after the end of colonial rule and re-circulated. Today, the image continues to circulate through packaging and printed materials, passing unnoticed and unquestioned even as social norms around femininity have shifted.

&#60;img width="1023" height="719" width_o="1023" height_o="719" data-src="https://freight.cargo.site/t/original/i/916e6f3e8ab629160d3bff16b3de0f40d53020c1d8e109fec26381e29bf121fe/Housewife_website5.png" data-mid="251301509" border="0"  src="https://freight.cargo.site/w/1000/i/916e6f3e8ab629160d3bff16b3de0f40d53020c1d8e109fec26381e29bf121fe/Housewife_website5.png" /&#62;


	（中）
以「購物女孩」（Shopping Girl）這一常見於臺灣零食包裝上的女性吉祥物作為視覺核心，本計畫探討社會所規範的理想女性形象如何潛藏於日常物件之中，並且在原有時代脈絡消逝之後仍持續存在，揭示過去的社會期待與當下現實之間的微妙張力。
典型的「購物女孩」圓潤的臉龐、帶著微笑，常穿著圍裙並手提籃子或商品、源自戰後美國對家庭女性氣質的理想想像。在冷戰時期，這個形象體現了一種愉悅、以服務為導向的家庭主婦形象，並被納入對現代生活的願景之中：在這樣的想像裡，資本主義承諾帶來便利、豐盛與幸福。在美國佔領時期的日本，這種視覺文化被引入且轉化為角色化的形象，進一步融入印刷媒體與日常物件之中。
反映日本對美國現代生活詮釋的此一角色形象隨後傳入臺灣。在殖民統治結束之後，日本的視覺文化在臺灣仍持續發揮影響並再次流通。時至今日，這樣的圖像依然透過包裝與印刷品不斷流傳，在人們未曾察覺與質疑之下延續存在，即使關於女性氣質的社會規範早已發生轉變。（日）台湾の食品包装袋に印刷されている笑顔の女性像「ショッピング・ガール」を出発点とし、このありふれたアイコンが戦後アメリカから日本を経て現代の台湾へとどのように伝播してきたのかを辿るリサーチ・プロジェクト。過去の社会が規定した「理想の女性像」が、現代においても日常的な風景の中に息づき続けている様子を考察する。

戦後・冷戦期のアメリカは、資本主義が利便性や豊かさ、幸福を約束するとし、そのシンボルとしてシステムキッチンや家電のほか、夫や子供のために明るく奉仕する「家庭的な主婦像」を宣伝に利用した。
この50年代アメリカの主婦のイメージは、米国占領下の日本において、商業イラストレーションやキャラクターデザインに取り入れられ、笑顔でエプロンを身につけ、買い物かごや食料品を抱えた女の子「ショッピング・ガール」が広告やパッケージデザインの中に定着していった。 
その後、この女性像は植民地支配終了後も日本の視覚文化が大きな影響力を持ち続けた台湾へと伝わり、さまざまな形で流通していった。

「ショッピングガール」は今日の台湾でも包装紙などの日常的に目にする消費財の中に埋め込まれている。その歴史的な起源が人々の記憶から薄れた後も意識を向けられることなく受け継がれ、女性らしさに対する過去の価値観を静かに再生産し続けている。

&#60;img width="913" height="1461" width_o="913" height_o="1461" data-src="https://freight.cargo.site/t/original/i/178bc30dd668bd8acd95ede311349d86f14f94d3a1ed1b019eb1a9f0da0c8dfc/Housewife_website9.png" data-mid="251642392" border="0" data-scale="49" src="https://freight.cargo.site/w/913/i/178bc30dd668bd8acd95ede311349d86f14f94d3a1ed1b019eb1a9f0da0c8dfc/Housewife_website9.png" /&#62;
&#60;img width="1718" height="1170" width_o="1718" height_o="1170" data-src="https://freight.cargo.site/t/original/i/db66f697d277c7de69b2c8c98772f424e339ecd99dd1c89c6db3b8a409ddba96/499DBBF0-26CB-4124-B5DC-D78C3886D9FB.jpeg" data-mid="251642372" border="0" data-scale="80" src="https://freight.cargo.site/w/1000/i/db66f697d277c7de69b2c8c98772f424e339ecd99dd1c89c6db3b8a409ddba96/499DBBF0-26CB-4124-B5DC-D78C3886D9FB.jpeg" /&#62;
&#60;img width="3245" height="4000" width_o="3245" height_o="4000" data-src="https://freight.cargo.site/t/original/i/69970e8fe83320d2ac695ae65342c70524df81363c3b6e8e9b7480d60864fef4/THRA0113-crop.jpg" data-mid="251706044" border="0" data-scale="80" alt="Photo credit: Taipei &#124; Treasure Hill Artist VillagePhotographer: BlackBird Imagine Studio" data-caption="Photo credit: Taipei &#124; Treasure Hill Artist VillagePhotographer: BlackBird Imagine Studio" src="https://freight.cargo.site/w/1000/i/69970e8fe83320d2ac695ae65342c70524df81363c3b6e8e9b7480d60864fef4/THRA0113-crop.jpg" /&#62;


&#60;img width="2000" height="1500" width_o="2000" height_o="1500" data-src="https://freight.cargo.site/t/original/i/b871a31255ce10db9a987a7947077ac3499ddb3c257a96d680b1293b3c5c4ea8/IMG_3186-copy-2.jpg" data-mid="251113791" border="0" data-scale="81" src="https://freight.cargo.site/w/1000/i/b871a31255ce10db9a987a7947077ac3499ddb3c257a96d680b1293b3c5c4ea8/IMG_3186-copy-2.jpg" /&#62;

&#60;img width="926" height="1298" width_o="926" height_o="1298" data-src="https://freight.cargo.site/t/original/i/6d27856a819574cca488699e971d05d12f236fa1df606a729d36b93fad8538ec/Housewife_website8.png" data-mid="251301508" border="0" data-scale="51" src="https://freight.cargo.site/w/926/i/6d27856a819574cca488699e971d05d12f236fa1df606a729d36b93fad8538ec/Housewife_website8.png" /&#62;








&#60;img width="424" height="618" width_o="424" height_o="618" data-src="https://freight.cargo.site/t/original/i/9aa6f0b496fbe2969e5c9f807ecb7a11c4e4e2ec1d0a1c6048db039d8704be01/ads_50s4.jpg" data-mid="251301452" border="0"  src="https://freight.cargo.site/w/424/i/9aa6f0b496fbe2969e5c9f807ecb7a11c4e4e2ec1d0a1c6048db039d8704be01/ads_50s4.jpg" /&#62;
&#60;img width="736" height="999" width_o="736" height_o="999" data-src="https://freight.cargo.site/t/original/i/f87f3e3c0547b628073c497d685cb41f0391315960767403a90bf9d3fe1c862f/ads_50s1.jpg" data-mid="251284164" border="0"  src="https://freight.cargo.site/w/736/i/f87f3e3c0547b628073c497d685cb41f0391315960767403a90bf9d3fe1c862f/ads_50s1.jpg" /&#62;
&#60;img width="735" height="540" width_o="735" height_o="540" data-src="https://freight.cargo.site/t/original/i/ad0e42954f6ec5e7c2c5f2d98f574f69129f2f16a1f50c55ad0df70bf809c133/ads_50s2.jpg" data-mid="251284165" border="0"  src="https://freight.cargo.site/w/735/i/ad0e42954f6ec5e7c2c5f2d98f574f69129f2f16a1f50c55ad0df70bf809c133/ads_50s2.jpg" /&#62;
&#60;img width="357" height="476" width_o="357" height_o="476" data-src="https://freight.cargo.site/t/original/i/437d5d4916f48484a1eb5ddf52f0c630b15f951ea7f9ee4b1a02e0cd222dea15/ads_50s5.jpg" data-mid="251284162" border="0"  src="https://freight.cargo.site/w/357/i/437d5d4916f48484a1eb5ddf52f0c630b15f951ea7f9ee4b1a02e0cd222dea15/ads_50s5.jpg" /&#62;

&#38;nbsp;1950s American advertisements reinforcing gendered ideals of domestic femininity

&#60;img width="846" height="932" width_o="846" height_o="932" data-src="https://freight.cargo.site/t/original/i/f368380e7a126151998c42d0544fbfe5c3885cba644a32db3ba257c844567aee/Screenshot-2026-08-31-at-21.04.34.png" data-mid="251705454" border="0"  src="https://freight.cargo.site/w/846/i/f368380e7a126151998c42d0544fbfe5c3885cba644a32db3ba257c844567aee/Screenshot-2026-08-31-at-21.04.34.png" /&#62;
&#60;img width="932" height="956" width_o="932" height_o="956" data-src="https://freight.cargo.site/t/original/i/e1e569fe1c32ba9cd57f73030bf2e5c2488bce15ec17136864b3747a0af47e8e/Screenshot-2026-08-31-at-20.57.48.png" data-mid="251705547" border="0"  src="https://freight.cargo.site/w/932/i/e1e569fe1c32ba9cd57f73030bf2e5c2488bce15ec17136864b3747a0af47e8e/Screenshot-2026-08-31-at-20.57.48.png" /&#62;
&#60;img width="996" height="1000" width_o="996" height_o="1000" data-src="https://freight.cargo.site/t/original/i/315e51f46a533c604cdfe88605d66353c26f88abfe6f007caa2d893ba2af5f7c/Screenshot-2026-08-31-at-20.57.24.png" data-mid="251705546" border="0"  src="https://freight.cargo.site/w/996/i/315e51f46a533c604cdfe88605d66353c26f88abfe6f007caa2d893ba2af5f7c/Screenshot-2026-08-31-at-20.57.24.png" /&#62;
&#60;img width="2362" height="2362" width_o="2362" height_o="2362" data-src="https://freight.cargo.site/t/original/i/38364584b4ea1a49b9a214b414517554597a563e4826d41c9c396ed6640898a4/_-3.jpeg" data-mid="251705543" border="0"  src="https://freight.cargo.site/w/1000/i/38364584b4ea1a49b9a214b414517554597a563e4826d41c9c396ed6640898a4/_-3.jpeg" /&#62;
&#60;img width="307" height="409" width_o="307" height_o="409" data-src="https://freight.cargo.site/t/original/i/67c96bafa71b6451034a488d86ce558ee6b2e5593ff6ec2e9118af9dbefd5b8d/ads_50s3.jpg" data-mid="251705476" border="0"  src="https://freight.cargo.site/w/307/i/67c96bafa71b6451034a488d86ce558ee6b2e5593ff6ec2e9118af9dbefd5b8d/ads_50s3.jpg" /&#62;
1950s–1970s Japanese commercial character illustrations depicting girls in aprons and carrying shopping baskets


&#60;img width="964" height="742" width_o="964" height_o="742" data-src="https://freight.cargo.site/t/original/i/0d70ce83ab65f9d027d224f2a97ca1e81865a688a964b5756620471069ea6356/Housewife_website7.png" data-mid="251301507" border="0" data-scale="81" src="https://freight.cargo.site/w/964/i/0d70ce83ab65f9d027d224f2a97ca1e81865a688a964b5756620471069ea6356/Housewife_website7.png" /&#62;


Photo credit: Taipei &#124; Treasure Hill Artist VillagePhotographer: BlackBird Imagine Studio</description>
		
	</item>
		
		
	<item>
		<title>Cabinet of Life</title>
				
		<link>https://kyokotakemura.net/Cabinet-of-Life</link>

		<pubDate>Sun, 30 Oct 2022 21:39:58 +0000</pubDate>

		<dc:creator>Kyoko Takemura</dc:creator>

		<guid isPermaLink="true">https://kyokotakemura.net/Cabinet-of-Life</guid>

		<description>

Cabinet of Life


&#60;img width="3000" height="2003" width_o="3000" height_o="2003" data-src="https://freight.cargo.site/t/original/i/f04c3ccbc5ccab5f3650ff29779fd133c09b2288d9b19aeda81f531df7b45176/CabinetofLife_web4.jpeg" data-mid="160515217" border="0"  src="https://freight.cargo.site/w/1000/i/f04c3ccbc5ccab5f3650ff29779fd133c09b2288d9b19aeda81f531df7b45176/CabinetofLife_web4.jpeg" /&#62;
&#60;img width="3000" height="2003" width_o="3000" height_o="2003" data-src="https://freight.cargo.site/t/original/i/8560381ba7d09be82099d5e1299526128c08ea0baf89c6a06c70c9878220ad39/CabinetofLife_web5.jpeg" data-mid="160515150" border="0"  src="https://freight.cargo.site/w/1000/i/8560381ba7d09be82099d5e1299526128c08ea0baf89c6a06c70c9878220ad39/CabinetofLife_web5.jpeg" /&#62;
&#60;img width="3000" height="2003" width_o="3000" height_o="2003" data-src="https://freight.cargo.site/t/original/i/b3e5a047a06cb1b043bf8e8b5f5c9a34f908e49a96663800e1b2e51ed30885d0/CabinetofLife_web2jpg.jpeg" data-mid="160515197" border="0"  src="https://freight.cargo.site/w/1000/i/b3e5a047a06cb1b043bf8e8b5f5c9a34f908e49a96663800e1b2e51ed30885d0/CabinetofLife_web2jpg.jpeg" /&#62;
&#60;img width="3000" height="2003" width_o="3000" height_o="2003" data-src="https://freight.cargo.site/t/original/i/8fa7d96a3f9a43149b91c3cfe26d8860a7bfc799d3e858117d508034d5270a97/CabinetofLife_web6.jpeg" data-mid="160515214" border="0"  src="https://freight.cargo.site/w/1000/i/8fa7d96a3f9a43149b91c3cfe26d8860a7bfc799d3e858117d508034d5270a97/CabinetofLife_web6.jpeg" /&#62;
&#60;img width="5000" height="3338" width_o="5000" height_o="3338" data-src="https://freight.cargo.site/t/original/i/05acea659ad00a19ca94dbba947c42dc8e70c79fcb816c400f7fed98b29aaaa0/top_fish.jpeg" data-mid="160515200" border="0"  src="https://freight.cargo.site/w/1000/i/05acea659ad00a19ca94dbba947c42dc8e70c79fcb816c400f7fed98b29aaaa0/top_fish.jpeg" /&#62;
&#60;img width="3000" height="2003" width_o="3000" height_o="2003" data-src="https://freight.cargo.site/t/original/i/a8c241aba3a9e129dd64d2247f0d0ef00f565f9b5283bb063aeb383d112df775/CabinetofLife_web1.jpeg" data-mid="160515216" border="0"  src="https://freight.cargo.site/w/1000/i/a8c241aba3a9e129dd64d2247f0d0ef00f565f9b5283bb063aeb383d112df775/CabinetofLife_web1.jpeg" /&#62;

	
Cabinet of Life - 6.I
2017Photography
The project explores the question of whether or not the soul exists. 
The fish wander between the boundary of animate and inanimate, 
and the aquarium could be a life-sustaining device or a cabinet of death. 


Descartes writes that it's impossible to know whether a spirit dwells in others. 'Alive' is an invisible, uncertain state. Science can only uncover half of the picture of the soul or consciousness.&#38;nbsp;These fish are empty vessels abandoned by life, as we will be.



	

	

	

&#60;img width="3000" height="2003" width_o="3000" height_o="2003" data-src="https://freight.cargo.site/t/original/i/8560381ba7d09be82099d5e1299526128c08ea0baf89c6a06c70c9878220ad39/CabinetofLife_web5.jpeg" data-mid="160515150" border="0"  src="https://freight.cargo.site/w/1000/i/8560381ba7d09be82099d5e1299526128c08ea0baf89c6a06c70c9878220ad39/CabinetofLife_web5.jpeg" /&#62;

&#60;img width="3000" height="2003" width_o="3000" height_o="2003" data-src="https://freight.cargo.site/t/original/i/b3e5a047a06cb1b043bf8e8b5f5c9a34f908e49a96663800e1b2e51ed30885d0/CabinetofLife_web2jpg.jpeg" data-mid="160515197" border="0"  src="https://freight.cargo.site/w/1000/i/b3e5a047a06cb1b043bf8e8b5f5c9a34f908e49a96663800e1b2e51ed30885d0/CabinetofLife_web2jpg.jpeg" /&#62;
&#60;img width="5000" height="3338" width_o="5000" height_o="3338" data-src="https://freight.cargo.site/t/original/i/05acea659ad00a19ca94dbba947c42dc8e70c79fcb816c400f7fed98b29aaaa0/top_fish.jpeg" data-mid="160515200" border="0"  src="https://freight.cargo.site/w/1000/i/05acea659ad00a19ca94dbba947c42dc8e70c79fcb816c400f7fed98b29aaaa0/top_fish.jpeg" /&#62;

	The project exoplores the oddity and wonder of our existence. To be alive is exceptional, given how much of the universe consists of inanimate matter. Where does this miraculous state of life arise? And can it persist beyond the body? 

	



	&#60;img width="3000" height="2003" width_o="3000" height_o="2003" data-src="https://freight.cargo.site/t/original/i/8fa7d96a3f9a43149b91c3cfe26d8860a7bfc799d3e858117d508034d5270a97/CabinetofLife_web6.jpeg" data-mid="160515214" border="0"  src="https://freight.cargo.site/w/1000/i/8fa7d96a3f9a43149b91c3cfe26d8860a7bfc799d3e858117d508034d5270a97/CabinetofLife_web6.jpeg" /&#62;
&#60;img width="3000" height="2003" width_o="3000" height_o="2003" data-src="https://freight.cargo.site/t/original/i/a8c241aba3a9e129dd64d2247f0d0ef00f565f9b5283bb063aeb383d112df775/CabinetofLife_web1.jpeg" data-mid="160515216" border="0"  src="https://freight.cargo.site/w/1000/i/a8c241aba3a9e129dd64d2247f0d0ef00f565f9b5283bb063aeb383d112df775/CabinetofLife_web1.jpeg" /&#62;
&#60;img width="3000" height="2003" width_o="3000" height_o="2003" data-src="https://freight.cargo.site/t/original/i/f04c3ccbc5ccab5f3650ff29779fd133c09b2288d9b19aeda81f531df7b45176/CabinetofLife_web4.jpeg" data-mid="160515217" border="0"  src="https://freight.cargo.site/w/1000/i/f04c3ccbc5ccab5f3650ff29779fd133c09b2288d9b19aeda81f531df7b45176/CabinetofLife_web4.jpeg" /&#62;

	
水槽という生命維持装置に入っているだけで私たちは魚が生きているのではないかと疑ってしまう。 デカルトが他者に精神が宿っていることを証明するのは不可能だと説いたように「生きている」とは目に見えない不確かな状態である。この魚たちの魂はどこから来てどこへ行ったのか、また私たち自身の意識はどこから来てどこへ行くのか?
 これらの魚は生命の去った空の容れ物であり、私たち全員が行き着くところでもある。











Concept, Styling: Kyoko TakemuraPhotography: Nick Dunne






	





</description>
		
	</item>
		
		
	<item>
		<title>Odd Recipes</title>
				
		<link>https://kyokotakemura.net/Odd-Recipes</link>

		<pubDate>Sun, 30 Oct 2022 23:11:02 +0000</pubDate>

		<dc:creator>Kyoko Takemura</dc:creator>

		<guid isPermaLink="true">https://kyokotakemura.net/Odd-Recipes</guid>

		<description>


Odd Recipes


&#60;img width="4000" height="2686" width_o="4000" height_o="2686" data-src="https://freight.cargo.site/t/original/i/a24397bf1e3b90a704c3aa4db2e882566fa9f9c0281937139568488892d590f5/odd2.jpg" data-mid="157452184" border="0"  src="https://freight.cargo.site/w/1000/i/a24397bf1e3b90a704c3aa4db2e882566fa9f9c0281937139568488892d590f5/odd2.jpg" /&#62;
&#60;img width="4000" height="2686" width_o="4000" height_o="2686" data-src="https://freight.cargo.site/t/original/i/f4055b28a1161a9f3a545d3a16e4c3de02cf3cf0314503bda38200ecddd7633b/odd10.jpg" data-mid="157452205" border="0"  src="https://freight.cargo.site/w/1000/i/f4055b28a1161a9f3a545d3a16e4c3de02cf3cf0314503bda38200ecddd7633b/odd10.jpg" /&#62;
&#60;img width="4000" height="2686" width_o="4000" height_o="2686" data-src="https://freight.cargo.site/t/original/i/efb06e7c1a8af63bd49841cb3e44be87a5fa7710d8ff5e2e36d76eb8ee8cc77a/odd18.jpg" data-mid="157452278" border="0"  src="https://freight.cargo.site/w/1000/i/efb06e7c1a8af63bd49841cb3e44be87a5fa7710d8ff5e2e36d76eb8ee8cc77a/odd18.jpg" /&#62;
&#60;img width="4000" height="2686" width_o="4000" height_o="2686" data-src="https://freight.cargo.site/t/original/i/db91a8bd331c4ae8cf52ce723e704c728d2849757613f4e1a4b6aa1d95dde33d/odd14.jpg" data-mid="157452255" border="0"  src="https://freight.cargo.site/w/1000/i/db91a8bd331c4ae8cf52ce723e704c728d2849757613f4e1a4b6aa1d95dde33d/odd14.jpg" /&#62;
&#60;img width="4000" height="2686" width_o="4000" height_o="2686" data-src="https://freight.cargo.site/t/original/i/38a80a31f060ede3f921af51320b8ffe0893d3518fc6b3ab533239eead1bfd5f/odd8.jpg" data-mid="157452193" border="0"  src="https://freight.cargo.site/w/1000/i/38a80a31f060ede3f921af51320b8ffe0893d3518fc6b3ab533239eead1bfd5f/odd8.jpg" /&#62;
&#60;img width="4000" height="2686" width_o="4000" height_o="2686" data-src="https://freight.cargo.site/t/original/i/a688fb3f84b6df7a0424f0d19503ed1e21dd1c19dc510e73a732bdc8f0904f86/odd7.jpg" data-mid="157452190" border="0"  src="https://freight.cargo.site/w/1000/i/a688fb3f84b6df7a0424f0d19503ed1e21dd1c19dc510e73a732bdc8f0904f86/odd7.jpg" /&#62;
&#60;img width="4000" height="2686" width_o="4000" height_o="2686" data-src="https://freight.cargo.site/t/original/i/5aee430b3869e3bfa8b80ee6056e6de52751ce861b4de3ed893c6ad2d19c8c7c/odd15.jpg" data-mid="157452271" border="0"  src="https://freight.cargo.site/w/1000/i/5aee430b3869e3bfa8b80ee6056e6de52751ce861b4de3ed893c6ad2d19c8c7c/odd15.jpg" /&#62;
&#60;img width="4000" height="2686" width_o="4000" height_o="2686" data-src="https://freight.cargo.site/t/original/i/877eb8d53e31dab5a7c086ec0d3faf1e44ddcfb944a68d9aca3e384dc9a3f6d2/odd17.jpg" data-mid="157452274" border="0"  src="https://freight.cargo.site/w/1000/i/877eb8d53e31dab5a7c086ec0d3faf1e44ddcfb944a68d9aca3e384dc9a3f6d2/odd17.jpg" /&#62;
&#60;img width="4000" height="2686" width_o="4000" height_o="2686" data-src="https://freight.cargo.site/t/original/i/93c8c1c84256ca914b5ef29417bddd567568482a1a6085bfbe63f8fa4077a99e/odd9.jpg" data-mid="157452200" border="0"  src="https://freight.cargo.site/w/1000/i/93c8c1c84256ca914b5ef29417bddd567568482a1a6085bfbe63f8fa4077a99e/odd9.jpg" /&#62;
&#60;img width="4000" height="2686" width_o="4000" height_o="2686" data-src="https://freight.cargo.site/t/original/i/045a5b970289f53c8815a31044dfc36b9423eb6a0cee7f2aa7f6421f55fd7996/odd11.jpg" data-mid="157452211" border="0"  src="https://freight.cargo.site/w/1000/i/045a5b970289f53c8815a31044dfc36b9423eb6a0cee7f2aa7f6421f55fd7996/odd11.jpg" /&#62;
&#60;img width="4000" height="2686" width_o="4000" height_o="2686" data-src="https://freight.cargo.site/t/original/i/3ad1654615d71da8156f7476e3a0a1ede107ba61f8a9876913dd543fa4b097f3/odd12.jpg" data-mid="157452218" border="0"  src="https://freight.cargo.site/w/1000/i/3ad1654615d71da8156f7476e3a0a1ede107ba61f8a9876913dd543fa4b097f3/odd12.jpg" /&#62;

	
Odd Recipes
202017x 25cm&#38;nbsp; 27 pages, perfect binding Book
&#38;nbsp;
These are “odd” — according to whom?

The project aims to highlight London’s vast cultural diversity through food and to question our judgement of cultural norms different from our own.&#38;nbsp;

Through extensive research in London’s food stores, from the Afro-Caribbean market to the Bangladeshi wholesale market, Takemura creates a cookbook of authentic but unseen meals. The recipes are based on dialogue between the artist and the shop owners, using their serving ideas and suggestions, and cooked by the artist herself.
 
	
You can buy the book here.

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	Those of us who have not grown up eating cow brains or goat heads might find them off-putting. But who are we to judge food norms in other cultures?&#38;nbsp;These dishes serve as a provocation to mindful eating- they help us to consider what we do eat, what we don’t, and why.
	




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	ロンドンのアフロ・カリビアンマーケット、バングラデシュ食材店などを巡ってそれぞれの文化特有の食材を探し、店員に調理方法を尋ね彼らの郷土料理を再現した工程を料理本の形にまとめた。食文化を通してロンドンの民族多様性に光を当てながら、異文化に対して抱きやすい先入観や偏見について考える。
















	





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